mposed of knots.
This berry is made over the 8 threads that come from the chains, with a
long auxiliary thread, knotted as shown in fig. 590.
[Illustration: FIG. 593. MACRAME BORDER. MATERIALS: Cordonnet 6 fils
D.M.C Nos. 10 to 20 and Or fin D.M.C No. 30. COLOUR--For the cotton:
Vert metallique 465[A]]
[Illustration: FIG. 594. BEADED GROUND. MATERIALS: Cordonnet 6 fils
D.M.C No. 25 or Fil a dentelle D.M.C Nos. 25 to 50 and gold beads.[A]]
Large shell knots, as described in figs. 591 and 592 may be substituted
in the place of the berry, fig. 590.
MACRAME BORDER (fig. 593).--Fill 24 shuttles, knotted together, that
is, 2 and 2, and knot on 3 green threads, 6 gold and 3 green. The
changing of the threads and the course of the knots can be so easily
copied from the pattern that a description in detail is not necessary,
it is sufficient to observe that all the dark parts in the engraving
should be worked in green and the light ones in gold.
[Illustration: FIG. 595. SQUARE OF MOSAIC MACRAME. MATERIALS: Fil a
pointer D.M.C No. 30, Coton a broder D.M.C No. 16 and Or fin D.M.C pour
la broderie No. 20[A]. COLOURS: Rouge-Cardinal 346, Rouge-Grenat 326 and
309, Bleu-Indigo 312 and 334, Gris-Tilleul 391 and 393[A].]
BEADED GROUND (fig. 594).--Knot on 4 threads for every group of knots,
and secure them by a knot and a picot, as shown in the engraving. Work
the groups of knots, as indicated in fig. 568, and after each group is
finished, thread a gold bead on to every 2 threads. Our model is worked
in ecru thread and gold beads; the latter go very well with any colour
and especially with the more subdued shades of green, such as the
Vert-Mousse, Vert Bouteille and Gris-Tilleul of the D.M.C colour card.
SQUARE OF MOSAIC MACRAME (figs. 595 and 596).--This little pattern
illustrates the way in which tapestry and cross-stitch patterns can be
utilised for macrame.
All patterns that are drawn on checked paper can be copied in macrame
and even in several colours. For every square, you count either one
single or one double thread, according to the scale on which the work is
to be.
In the case of a single thread, you count one double knot per square, in
that of a double one, 4 double knots, two in the first and two in the
second row.
After knotting the threads together, two and two, and pinning them to
the cushion, see letter _a_, make 2 single chains with 2 changes of the
thread, letters _b_ and _c_, then take a very lo
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