she had gained in her adopted land. At length, in 1781,
her father's failing health demanded their return to Italy; and now, when
forty years old, she married Antonio Zucchi, an artist who had long loved
her and devoted himself to her and to her father with untiring affection.
The old Kauffman lived to visit his home in Schwarzenburg and to reach
Southern Italy, but died soon after.
Signor Zucchi made his home in Rome. He was a member of the Royal
Academy, London, and was in full sympathy with his wife in intellectual
and artistic pursuits and pleasures. De Rossi says: "It was interesting
to see Angelica and her husband before a picture. While Zucchi spoke with
enthusiasm Angelica remained silent, fixing her eloquent glance on the
finest portions of the work. In her countenance one could read her
emotions, while her observations were limited to a few brief words.
These, however, seldom expressed any blame--only the praises of that
which was worthy of praise. It belonged to her nature to recognize the
beauty alone--as the bee draws honey only out of every flower."
Her home in Rome was a centre of attraction to the artistic and literary
society of the city, and few persons of note passed any time there
without being presented to her. Goethe and Herder were her friends, and
the former wrote: "The good Angelica has a most remarkable, and for a
woman really unheard-of, talent; one must see and value what she does and
not what she leaves undone. There is much to learn from her, particularly
as to work, for what she effects is really marvellous." In his work
called "Winckelmann and His Century," Goethe again said of her: "The
light and pleasing in form and color, in design and execution,
distinguish the numerous works of our artist. _No living painter_ excels
her in dignity or in the delicate taste with which she handles the
pencil."
In the midst of the social demands on her time in Rome, she continued to
devote herself to her art, and Signor Zucchi, hoping to beguile her into
idleness, purchased a charming villa at Castel Gondolfo; but in spite of
its attractions she was never content to be long away from Rome and her
studio.
Thus in her maturer years her life flowed on in a full stream of
prosperity until, in 1795, Signor Zucchi died. Angelica survived him
twelve years--years of deep sadness. Not only was her personal sorrow
heavy to bear, but the French invasion of her beloved Italy disquieted
her. Hoping to regai
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