d of a Young Girl," is in the Luxembourg; "A Jewess of
Algiers," 1866, is in the Museum of Lille; "The Intrigue under the
Portico of the Doge's Palace" was painted in 1865.

<b>MATHILDE CAROLINE,</b> Grand Duchess of Hesse. Was born Princess of
Bavaria. 1813-1863. Pupil of Dominik Onaglio. In the New Gallery at
Munich are two of her pictures--"View of the Magdalen Chapel in the
Garden at Nymphenburg," 1832, and "Outlook on the Islands, Procida and
Ischia," 1836.

<b>MATTON, IDA.</b> Two grand prizes and a purse, also a travelling purse
from the Government of Sweden; honorable mention at the Paris Salon,
1896; honorable mention, Paris Exposition, 1900; prize for sculpture at
the Union des femmes peintres et sculpteurs, 1903. Decorated with the
"palmes academique" of President Loubet, 1903. Member of the Union des
femmes peintres et sculpteurs, Paris. Born at Gefle, Sweden. Pupil of the
Technical School, Stockholm, and of H. Chapu, A. Mercie, and D. Puech at
Paris.

[Illustration: In Cemetery In Gefle, Sweden

MONUMENT FOR A TOMB

IDA MATTON]

Among the works of this artist are "Mama!" a statue in marble; "Loke," a
statue; "Dans les Vagues," a marble bust; "Funeral Monument," in bronze,
in Gefle, Sweden; and a great number of portrait busts and various
subjects in bas-relief.

At the Salon des Artistes Francais, 1902, she exhibited four portraits,
and in 1903, "Confidence."

<b>MAURY, CORNELIA F.</b> Member of St. Louis Artists' Guild and Society of
Western Artists. Born in New Orleans, Louisiana. Pupil of St. Louis
School of Fine Arts and of Julian Academy, under Collin and Merson. At
the Salon of 1900 her picture, "Mother and Child," was hung on the line.

Miss Maury has made an especial study of child life. Among her pictures
are "Little Sister," "Choir Boy," "Late Breakfast," and "First Steps."
The latter picture and the "Baby in a Go-Cart" have been published in the
Copley Prints.

"Cornelia F. Maury is most successful in portrayals of childhood. Her
small figures are simple, unaffected, with no suggestion of pose. They
convey that delightful feeling of unconsciousness in the subject that is
always so charming either in nature or in artistic expression. The pastel
depicting the flaxen-haired child in blue dress drawing a tiny cart is
exceedingly artistic, and the same may be said of a pastel showing a
small child in a Dutch high-chair near a window. A third picture--also a
pastel--represents