Artists' exhibitions, etc., and was
awarded a medal at the World's Fair in Chicago. Her work is not only
skilful and accurate in description and characterization; it is done with
breadth and freedom, and given a quality of fine decorative distinction.
Her subjects are roses, cyclamen, chrysanthemums, nasturtiums, double
larkspurs, cinneraria, etc., and she makes each panel a distinct study in
design, with a background and accessories of appropriate character. For
example, the three or four large panels of roses painted at Mentone have
a glimpse of the Mediterranean for background, and a suggestion of
trellis-work for the support of the vine or bush; and in another rose
panel we have a tipped-over Gibraltar basket with its luscious contents
strewed about in artful confusion. The double larkspurs make very
charming panels for decorative purposes. They are painted with delightful
fulness of color and engaging looseness and crispness of touch."--_Boston
Transcript_.

<b>REGIS, EMMA.</b> This Roman painter has given special attention to
figures, and has executed a number of portraits, one of the best of which
is that of the Marchioness Durazzo Pallavicini. She has exhibited some
delightful work at Turin and at Rome, such as "The Lute-Player," "All is
not Gold that Glitters," "Humanity," and "In illo Tempore?"

[_No reply to circular_.]

<b>REINHARDT, SOPHIE.</b> Born at Kirchberg, 1775; died at Karlsruhe, 1843.
Pupil of Becker. She travelled in Austro-Hungary and Italy. In the
Kunsthalle at Karlsruhe is her picture of "St. Elizabeth and the Child
John." Among her best works are "The Death of St. Catherine of
Alexandria," "The Death of Tasso," and twelve illustrations for a volume
of Hebel's poems.

<b>REMY, MARIE.</b> Born in Berlin, 1829. Daughter of Professor August Remy
of the Berlin Academy. Pupil of her father, Hermine Stilke, and Theude
Groenland. She travelled extensively in several European countries, making
special studies in flowers and still-life, from which many of her
water-colors were painted; twenty of these are in the Berlin National
Gallery.

<b>REUTER, ELIZABETH.</b> Born in Lubeck, 1853. Pupil of Zimmermann in
Munich, A. Schliecker in Hamburg, and of H. Eschke in Berlin. She also
went to Duesseldorf to work in the Gallery there. Later she travelled in
Scandinavia. Her best pictures are landscapes. Among them is a charming
series of six water-colors of views in the park of Friedrichsruh