Saxony; still others are in various private galleries.

A recently published design for the wall decoration of a school,
"Fingerhut im Walde," was awarded a prize. Fraeulein Ley receives young
women students in her atelier in Karlsruhe.

<b>LICATA-FACCIOLI, ORSOLA.</b> A first-class and several other medals as a
student of the Academy at Venice. Member of the Academies of Venice and
Perugia, 1864. Born in Venice, 1826. In 1848 she married and made a
journey with her husband through Italy. Three pictures which she
exhibited at Perugia, in 1864, won her election to the Academy; the
Marquis Ala-Ponzoni purchased these. The Gallery at Vicenza has several
of her views of Venice and Rome, and there are others in the municipal
palace at Naples. Her pictures have usually sold immediately upon their
exhibition, and are scattered through many European cities. At Hamburg is
a view of Capodimonte; at Venice a large picture showing a view of San
Marcellino; and at Capodimonte the "Choir of the Capuchins at Rome."
Private collectors have also bought many of her landscapes. Since 1867
she has taught drawing in the Royal Institute at Naples. Two of the
Signora's later pictures are "Arum Italicum," exhibited at Milan in 1881,
and a "Park at Capodimonte," shown at the International Exposition in
Rome--the latter is a brilliant piece of work. Her style is vigorous and
robust, and her touch sure. Family cares seem never to have interrupted
her art activity, for her work has been constant and of an especially
high order.

<b>LINDEGREN, AMALIA.</b> Member of the Academy of Stockholm. Honorary
member of the London Society of Women Artists. Born in Stockholm.
1814-1891. A student in the above-named Academy, she was later a pupil
of Cogniet and Tissier, in Paris, and afterward visited Rome and Munich.
Her pictures are portraits and genre subjects. In the Gallery at
Christiania are her "Mother and Child" and "Grandfather and
Granddaughter." "The Dance in a Peasant Cottage" is in the Museum of
Stockholm, where are also her portraits of Queen Louise and the Crown
Princess of Denmark, 1873.

"With her unpretentious representations of the joy of children, the
smiling happiness of parents, sorrow resigned, and childish stubbornness,
Amalia Lindegren attained great national popularity, for without being a
connoisseur it is possible to take pleasure in the fresh children's faces
in her pictures."--_History of Modern Painters._

<b>LIPP