er early studies were made at St. John's Wood Art School,
preparatory to entering the School of the Royal Academy, but the
conservative and academic training of these institutions so displeased
her that she went to the Slade School. Ill health compelled her to put
aside all plans for regular study, and she entered Ridley's studio for
private instruction, following this with work at the South Kensington
Museum. After still further study with Raphael Collin in Paris, she
returned to London and soon had her work accepted at the Royal Academy.
Miss Gloag is reported as saying that women have little sense of
composition, a failing which she does not seem to share; in this respect
and as a colorist she is especially strong. "Rosamond," in which the
charming girl in a purple robe, sitting before an embroidery frame, is
startled by the shadow of Queen Eleanor bearing the poisoned cup,
displays these qualities to great advantage. The leafy bower, the hanging
mantle, show great skill in arrangement and a true instinct for color.
"The Magic Mantle," "Rapunzel," and the "Miracle of the Roses" have
all--especially, the first named--made an impression; another and
strikingly original picture, called the "Quick and the Dead," represents
a poorhouse, in the ward of which is a group of old women surrounded by
the ghosts of men and children. Miss Gloag has also made some admirable
designs for stained-glass windows. She has been seriously hampered by
ill health, and her achievements in the face of such a drawback are all
the more remarkable.

<b>GODEWYCK, MARGARETTA.</b> Born at Dort, 1627. A pupil of the celebrated
painter, Nicholas Maas. She excelled as a painter of flowers, and was
proficient in both ancient and modern languages. She was called by
authors of her time, "the lovely flower of Art and Literature of the
Merwestrom," which is a poetical way of saying Dordrecht!

<b>GOLAY, MARY--MME. SPEICH GOLAY.</b> Silver medal at Geneva Exposition,
1896; eighteen medals and rewards gained in the Art Schools of Geneva,
and the highest recompense for excellence in composition and decoration.
Member of the Amis des Beaux-Arts, Geneva; Societe vaudoise des Beaux
Arts, Lausanne. Born in Geneva and studied there under Mittey for flower
painting, composition, and ceramic decoration; under Gillet for figure
painting.

Mme. Golay has executed a variety of pictures both in oil and
water-colors. In an exhibition at the Athenee in Geneva, i