ily from the third person to the first--to act on her
advice, which I give to my readers, in order that any one who does wish
to know about her will be able to obtain the information!

<b>GRANT, MARY R.</b> This sculptor studied in Paris and Florence, as well
as in London, where she was a pupil of J. H. Foley, R.A. She has
exhibited at the Royal Academy since 1870. She has executed portraits of
Queen Victoria, Georgina, Lady Dudley, the Duke of Argyll, Mr. C.
Parnell, M.P., and Sir Francis Grant, P.R.A.

Her memorial work includes a relief of Dean Stanley, Royal Chapel,
Windsor; and a relief of Mr. Fawcett, M.P., on the Thames Embankment. The
late Queen gave Miss Grant several commissions. In Winchester Cathedral
is a screen, on the exterior of Lichfield Cathedral a number of figures,
and in the Cathedral of Edinburgh a reredos, all the work of this artist.
At the Royal Academy, 1903, she exhibited a medallion portrait in bronze.

<b>GRATZ, MARIE.</b> Born at Karlsruhe, 1839. This portrait painter was a
pupil of Bergmann, and later of Schick and Canon. Among her best-known
portraits are those of Prince and Princess Lippe-Detmold, Princess
Hohenlohe-Langenburg, Prince Wittgenstein, the hereditary Princess Reuss,
and Princess Biron von Kurland.

<b>GRAY, SOPHIE DE BUTTS.</b> First honor, Maryland Institute; second
honor, World's Fair, New Orleans; gold medal, Autumn Exhibition,
Louisville, 1898; first and second premiums, Nelson County Fair, 1898.

[_No reply to circular_.]

<b>GREATOREX, ELIZA.</b> In 1869 Mrs. Greatorex was elected associate
member of the National Academy, New York, and was the first woman member
of the Artists' Fund Society of New York. Born in Ireland. 1820-1897.
Studied under Witherspoon and James and William Hart in New York; under
Lambinet in Paris; and at the Pinakothek in Munich. Mrs. Greatorex
visited England, Paris, Italy, and Germany, spending a summer in
Nuremberg and one in Ober-Ammergau.

Among her most important works are "Bloomingdale," which was purchased by
Mr. Robert Hoe; "Chateau of Madame Cliffe," the property of Dykeman van
Doren; "Landscape, Amsterdam"; pictures of "Bloomingdale Church," "St.
Paul's Church," and the "North Dutch Church," all painted on panels taken
from these churches.

Mrs. Greatorex illustrated the "Homes of Ober-Ammergau" with etchings,
published in Munich in 1871; also "Summer Etchings in Colorado,"
published in 1874; and "Old New York f