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notion of mine to marry Marguerite. I recalled her weariness at Guerande, her impatience, her dull, monotonous life. The dear creature had been very good to me, but I had never been a real lover; she had mourned for me as a sister for her brother, not otherwise. Why should I again disturb her life? A dead man is not jealous. When I lifted my eyelids I saw the garden of the Luxembourg before me. I entered it and took a seat in the sun, dreaming with a sense of infinite restfulness. The thought of Marguerite stirred me softly. I pictured her in the provinces, beloved, petted and very happy. She had grown handsomer, and she was the mother of three boys and two girls. It was all right. I had behaved like an honest man in dying, and I would not commit the cruel folly of coming to life again. Since then I have traveled a good deal. I have been a little everywhere. I am an ordinary man who has toiled and eaten like anybody else. Death no longer frightens me, but it does not seem to care for me now that I have no motive in living, and I sometimes fear that I have been forgotten upon earth. End of the Project Gutenberg EBook of Nana, The Miller's Daughter, Captain Burle, Death of Olivier Becaille, by Emile Zola *** END OF THIS PROJECT GUTENBERG EBOOK NANA AND OTHERS *** ***** This file should be named 1069.txt or 1069.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/0/6/1069/ Produced by Donald Lainson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do
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