inspiration, 24;
in expiration, 24;
illustrated, 24, 29.

DIFFERENCE BETWEEN SINGING AND SPEAKING, 17.

EAR, function of, in tone production, 57;
training of, 57.

EE-sound, lip position for, 20;
in exercises, 57, 59, etc.

EFFORT, TENSE, a deterrent to beautiful singing, 84.

EMOTION, effect on tone quality, 7;
excess of, a deterrent to beautiful singing, 84.

EMPIRICISTS, where they have failed, 4.

EPIGLOTTIS, 10.

ESSENTIALS, application of, 79.

ETHMOID BONE, 8.

ETHMOIDAL SINUSES, illustrated, 7;
function of, 12.

EVERETT, EDWARD, as a good speaker, 16.

EXERCISES, BREATHING:
necessity of, 27, 33;
preliminary suggestions, 33, 34;
attitude in taking, 34;
I, to show what a deep breath is, 34;
II, slow inhalation with sudden expulsion, 35;
III, sipping the breath, with quick exhalation, 35;
IV, for rib expansion, 35;
V, slow inhalation with slow expiration, 36;
VI, rapid inspiration with slow expiration, 36;
VII, Farinelli's great exercise, 36;
VIII, the cleansing breath, 37;
half breath, 37.

EXERCISES, VOCAL:
I, to establish nasal and head resonance, 58-61;
for speakers, 60, 61;
II, to establish head and nasal resonance, 61;
III, IV, V, upper resonance, 62-64;
VI, to enlarge the throat and thus magnify the tone, 64;
VII, for production of the vowel sounds in proper focus, 65;
VIII, to enlarge the throat and focus the vowels, 66;
IX, quick changing notes without changing resonance, 67;
X, for agility, 67, 68;
XI, to develop the use of the lips and under jaw, 68, 69;
XII, for facility and quick vowel change, 69, 70;
XIII, ascending and descending scale, 71;
XIV, the long scale, 71;
additional, 72, 73;
repose as a preparation for, 80.

EXPIRATION, muscles of, 23, 24;
under controlled pressure, 24;
described, 25;
the lungs in, 25;
illustrated, 28, 29.

FACE, training muscles of, 15.

FARINELLI, breath control of, 36.

FFRANGCON-DAVIES, on pronunciation, 18;
on registers, 39;
on function of ear in voice training, 57;
definition of singing of, 83.

FOCUSING THE VOICE (see _Voice placing_).

FORBES-ROBERTSON, on diction, 19.

FORMES, CARL, voice of, in declining years, 4.

FREEDOM IN SINGING, 84.

FRONTAL SINUSES, function of, 12;
illustration of, 7.

GARCIA, MANUEL, inventor of laryngoscope, 2;
use of laryngoscope, 2;
Sir Charles Stanley on, 3.

GOUNOD, on pronunciation, 19.