es of Vocal Art.= Louis Arthur Russell.
The plain truths of vocal art presented in simple
untechnical language. 1 25 A

=English Diction for Singers and Speakers.= Louis
Arthur Russell. For all who pretend to refined
or artistic use of the English language. 1 25 A

=French Diction for Singers and Speakers.= William
Harkness Arnold. The elements of French
pronunciation are reduced to a few fundamental
principles, readily mastered. 1 25 A

=Head Voice and Other Problems.= D.A. Clippinger. 1 25 A

PRACTICAL TALKS ON SINGING

=Resonance in Singing and Speaking.= Thomas Fillebrown,
M.D. An exposition of fundamentals,
with breathing and vocal exercises and illustrations. 1 50 A

=Training of Boys' Voices.= Claude Ellsworth Johnson.
A practical guide to the correct "placing" of
boys' voices. 1 25 A

=Twelve Lessons in the Fundamentals of Voice Production.=
Arthur L. Manchester. Presents
clearly the fundamentals illustrated by exercises. 1 25 A

EAR TRAINING, HARMONY AND COUNTERPOINT

=Ear Training for Teacher and Pupil.= C.A. Alchin.
Designed to teach the pupil to think in tones,
and so to sing, name, write, and play what he
hears. 1 50 A

=Intervals, Chords, and Ear Training.= Jean Parkman
Brown. Exercises and examples in rudimentary
harmony and ear training for use in conjunction
with piano study. 1 25 A

=Harmony.= Sir John Stainer, Mus. Doc. New edition
of a standard text-book which presents the
principles of harmony with conciseness and
lucidity. 1 50 A

do. _Paper_ 90 A

=Harmony Simplified.= Francis L. York. A practical
text-book presenting in a concise manner the
fundamental principles of harmony, with non-essentials
omitted. 1 50 A

=Manual of Harmony.= Ernst Friedrich Richter. Trans.
by J.C.D. Parker. A practical guide to the
study of harmony. 2 00 A

=Harmonic Analysis.= Benjamin Cutter. Teaches one
to analyze the harmonic structure of both classic
and modern music.