1 50 A

=Counterpoint.= Sir J. Frederick Bridge. This book has
freshness and plainness combined with thoroughness,
and must commend itself to young students
and teachers. 1 25 A

do. _Paper_ 90 A

=Counterpoint Simplified.= Francis L. York. A concise
text-book of formal counterpoint. (Sequel
to author's "Harmony Simplified"). 1 50 A

=Guide to Musical Composition.= H. Wohlfahrt. Tr.
by J.S. Dwight. On the invention of melodies,
their transformation, development and suitable
accompaniment. 1 25 A

FORM, INSTRUMENTATION AND ACOUSTICS

=Instrumentation.= Ebenezer Prout, Mus. Doc. A
valuable guide and assistant to students who
wish to gain a knowledge of the proper blending
of orchestral instruments, their compass,
capabilities, etc. 1 50 A

do. _Paper_ 90 A

=Lessons in Music Form.= Percy Goetschius, Mus. Doc.
A manual of analysis of all the structural factors
and designs employed in musical composition. 1 50 A

=Musical Forms.= Ernest Pauer. The students of musical
form, and especially those who study composition,
will find this a very valuable and
thorough work. 1 75 A

do. _Paper_ 90 A

=Sound and Its Relation to Music.= Clarence G. Hamilton,
A.M. A handbook of acoustics as relating
to music. Based on the latest discoveries and
experiments. 1 50 A

CONDUCTING, HISTORY, MUSIC APPRECIATION
AND DEFINITIONS

=Essentials in Conducting.= Karl W. Gehrkens, A.M.
On personal requirements, technic of the baton,
interpretation, rehearsing, program making, etc. 1 75 A

=Outlines of Music History.= Clarence G. Hamilton, A.M.
A compact, clearcut work for class use and the
general reader. Fully illustrated. 2 25 A

=Music Appreciation.= Clarence G. Hamilton, A.M.
Based on methods of literary criticism, this
unique text-book is for those who wish to listen
to music with quickened hearing and real understanding.
With 24 portraits, 28 diagrams and
over 200 music cuts. 2 50 A