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vowel sounds, 20. ARTICULATION, differing opinions concerning, 3; relation of, to resonance, 51; through upper lip, 72. (See also _Pronunciation_.) ARTICULATOR, 6. ARTISTRY, 79. ASCHAM, ROGER, on voice culture through imitation, 77. AW-sound, lip position for, 22; in exercises, 59, etc. BEAUTY OF TONE, a criterion of correct vocal action, 56. BELL, on pitch of vowel sounds, 20. BOOTH, EDWIN, as a good speaker, 16. BOOTH, JUNIUS BRUTUS, impairment of his voice, 53. BREATH CONTROL, 23-32; importance of, in both speaking and singing, 23; muscles of respiration in, 23; the diaphragm in, 23; muscles in, 24; the lungs in, 25; inspiration, 25; expiration, 25; correct method of, 25; a cure for nervousness, 27; necessity of exercises, 27; economy a factor in, 30; exaggerated, 30; initial use of, 31; exercises for, 33-37; of Farinelli, 37. BREATH FORCE, initial use of, 31; reserve, 31; wasted, 31. BREATH MASTERY, meaning of, 32. BREATHING, art of, 3; an amplification of the daily habit, 5; defined as singing, 23; correct, 25, 28; not differing in sex, 26; vicious habits of, 26; controlling deeply, 26; tests of, 26; nose versus mouth, 26; regularity of, 26; in obtaining power and largeness of tone, 27; for high tones, 27; relation of, to nervousness, 27; rhythmic, 27; necessity of exercises, 27; illustrations of, 28, 29; exercises in, 33-37; economy in, 30; tests in, by Professor Mills, 30; exaggerated control of, 30; exhaustion, 31; initial force in, 31; reserve power in, 31; mastery of, 32. (See also _Abdominal breathing_.) BROSCHI, DON CARLO, breath control of, 36. BROWNE, DR. LENNOX, on the laryngoscope, 3. BROWNE and BEHNKE, on nasal resonance, 53. CHEST, expansion of and resonance, 49. CHEST-ABDOMINAL BREATHING, 25; illustrated in sleeping child, 25; tests in, 26; illustrated, 28, 29. CHEST TONES, former emphasis given to, 2; wrongly termed, 5. CLAY, HENRY, as a good speaker, 16. CLOSED TONES, former emphasis given to, 2; wrongly termed, 5. CRYER, DR. W.H., on the frontal sinus, 12. CULTURE OF THE VOICE (see _Voice culture_). DEEP BREATHING, importance of, for the actor, 19. (See also _Breathing_.) DETERRENTS TO BEAUTIFUL SINGING, 84, 85. DIAPHRAGM, in breathing, 19; not a muscle of expiration, 23; described, 23, 24; in
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