vowel sounds, 20.
ARTICULATION, differing opinions concerning, 3;
relation of, to resonance, 51;
through upper lip, 72.
(See also _Pronunciation_.)
ARTICULATOR, 6.
ARTISTRY, 79.
ASCHAM, ROGER, on voice culture through imitation, 77.
AW-sound, lip position for, 22;
in exercises, 59, etc.
BEAUTY OF TONE, a criterion of correct vocal action, 56.
BELL, on pitch of vowel sounds, 20.
BOOTH, EDWIN, as a good speaker, 16.
BOOTH, JUNIUS BRUTUS, impairment of his voice, 53.
BREATH CONTROL, 23-32;
importance of, in both speaking and singing, 23;
muscles of respiration in, 23;
the diaphragm in, 23;
muscles in, 24;
the lungs in, 25;
inspiration, 25;
expiration, 25;
correct method of, 25;
a cure for nervousness, 27;
necessity of exercises, 27;
economy a factor in, 30;
exaggerated, 30;
initial use of, 31;
exercises for, 33-37;
of Farinelli, 37.
BREATH FORCE, initial use of, 31;
reserve, 31;
wasted, 31.
BREATH MASTERY, meaning of, 32.
BREATHING, art of, 3;
an amplification of the daily habit, 5;
defined as singing, 23;
correct, 25, 28;
not differing in sex, 26;
vicious habits of, 26;
controlling deeply, 26;
tests of, 26;
nose versus mouth, 26;
regularity of, 26;
in obtaining power and largeness of tone, 27;
for high tones, 27;
relation of, to nervousness, 27;
rhythmic, 27;
necessity of exercises, 27;
illustrations of, 28, 29;
exercises in, 33-37;
economy in, 30;
tests in, by Professor Mills, 30;
exaggerated control of, 30;
exhaustion, 31;
initial force in, 31;
reserve power in, 31;
mastery of, 32.
(See also _Abdominal breathing_.)
BROSCHI, DON CARLO, breath control of, 36.
BROWNE, DR. LENNOX, on the laryngoscope, 3.
BROWNE and BEHNKE, on nasal resonance, 53.
CHEST, expansion of and resonance, 49.
CHEST-ABDOMINAL BREATHING, 25;
illustrated in sleeping child, 25;
tests in, 26;
illustrated, 28, 29.
CHEST TONES, former emphasis given to, 2;
wrongly termed, 5.
CLAY, HENRY, as a good speaker, 16.
CLOSED TONES, former emphasis given to, 2;
wrongly termed, 5.
CRYER, DR. W.H., on the frontal sinus, 12.
CULTURE OF THE VOICE (see _Voice culture_).
DEEP BREATHING, importance of, for the actor, 19.
(See also _Breathing_.)
DETERRENTS TO BEAUTIFUL SINGING, 84, 85.
DIAPHRAGM, in breathing, 19;
not a muscle of expiration, 23;
described, 23, 24;
in
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