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long and almost unintelligible words. This he laid great store by, and he speaks wrathfully of one who translated his "Piers Penniless," into what he calls "maccaronical language." In his "Lenten Stuffe or Praise of the Red Herring," _i.e._, of Great Yarmouth, he calls those who despised Homer in his life-time "dull-pated pennifathers," and says that "those grey-beard huddle-duddles and crusty cum-twangs were strooke with stinging remorse of their miserable euchonisme and sundgery." Peele was one of the gay play-writers to whom Greene addressed his warning. They seem at this time to have united the professions of dramatist and actor, and to have been infected with that dissipation which has since been attributed with more or less justice to the stage. Peele is as fond as Greene of surprises and miraculous interventions. In the "Arraignment of Paris" a golden tree grows up, and in the "Old Wives Tale," the most humorous of his works, the head of Huanebango rises from a well. He is fond of dealing in phonetic words Latinisms and barbarisms; in one place he makes Corebus say: "O _falsum Latinum_ The fair maid is _minum_ _Cum apurtinantibus gibletis_ and all." Peele was very popular in his day, and was often called upon to write pieces for the Lord Mayor and for royal receptions. He sometimes used Hexameter lines such as: "Dub, dub-a-dub bounce, quoth the guns with a sulphurous huff shuff." Gabriel Harvey first introduced this metre into English, and he tried to induce Spenser to adopt it. Nash calls it "that drunken staggering kind of verse which is all vp hill and downe hill, like the way betwixt Stamford and Beechfeild, and goes like a horse plunging through the mire in the deep of winter, now soust vp to the saddle and straight aloft on his tip-toes." CHAPTER V. Donne--Hall--Fuller. Already we have seen that some of our earliest humorists were ecclesiastics, and it would be unfitting that we should here overlook three eminent men, Donne, Hall, and Fuller. Pleasantry was with them little more than a vehicle of instruction; the object was not to entertain, but to enforce and illustrate their moral sentiments. Hence their sober quaintness never raises a laugh, much less does it border upon the profane or indelicate. Donne was born in 1573, in London, and was educated, as was not then uncommon, first at Oxford, and then at Cambridge. His ability in church controvers
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