FREE BOOKS

Author's List




PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  
onnection thus established, long remained and led to witty observations being often spoken of as "foolerie." Upon this conceit or confusion Shakespeare founded the speech of Jaques in "As you like it." Act II. Scene IV. _Jaques._ A fool! a fool!--I met a fool i' the forest, A motley fool:--a miserable fool!-- As I do live by food, I met a fool: Who laid him down, and basked him in the sun, And railed on Lady Fortune in good terms. In good set terms--and yet a motley fool. "Good morrow, fool," quoth I. "No, Sir," quoth he, "Call me not fool till heaven hath sent me fortune." And then he drew a dial from his poke, And looking on it with lack lustre eye, Says very wisely, "It is ten o'clock;" "Thus we may see," quoth he, "how the world wags; 'Tis but an hour ago since it was nine, And after one hour more t'will be eleven, And so from hour to hour we ripe and ripe, And then from hour to hour we rot and rot, And thereby hangs a tale." There is nothing very laughable in the above reflections, but they contain a deep satire, and afford a beautiful example of Shakespearian complexity. From the mixture of wisdom and folly compounded in the "fool" of the day--who was then, it must be remembered, the monitor of the great--it is here implied that in his awkward way he sometimes arrived at truth better than the sage. As supremely wise men are often regarded as fools, so what seems folly may be the highest wisdom--"motley's your only wear." The fool is generally represented in Shakespeare as saying things which have a certain wit and shrewdness. _Clown._ God bless thee, lady. _Olivia._ Take the fool away. _Clo._ Do you not hear, fellows? Take away the lady. * * * * * Good Madonna, why mournest thou? _Oli._ Good fool, for my brother's death. _Clo._ I think his soul is in hell, Madonna. _Oli._ I know his soul is in heaven, fool. _Clo._ The more fool, Madonna, to mourn for your brother's soul being in heaven. Take away the fool, gentlemen. In King Lear. _Fool._ Dost thou know the difference, my boy, between a bitter fool and a sweet one? _Lear._ No, lad, teach me. _Fool._ That lord that counselled thee To give away thy land, Come place him here by me-- Do thou for him stand: The sweet and bitter fool Will presently appear, The one in motley
PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  



Top keywords:

motley

 

heaven

 
Madonna
 

Shakespeare

 

bitter

 
Jaques
 

wisdom

 
brother
 
regarded
 

highest


awkward
 

supremely

 

arrived

 

monitor

 

remembered

 

implied

 

difference

 

counselled

 

presently

 
gentlemen

shrewdness
 

represented

 

things

 
mournest
 
Olivia
 

compounded

 

fellows

 
generally
 

basked

 

forest


miserable
 

railed

 

fortune

 
Fortune
 

morrow

 

observations

 

spoken

 

foolerie

 

remained

 
onnection

established

 
speech
 

founded

 
conceit
 
confusion
 

laughable

 
eleven
 

reflections

 

Shakespearian

 
complexity