FREE BOOKS

Author's List




PREV.   NEXT  
|<   523   524   525   526   527   528   529   530   531   532   533   534   535   536   537   538   539   540   541   542   543   544   545   546   547  
548   549   550   551   552   553   554   555   556   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572   >>   >|  
I would boldly say at once, that these sonnets, while they each fix the attention upon some important sentiment, separately considered, do, at the same time, collectively make a poem on the subject of civil liberty and national independence, which, either for simplicity of style or grandeur of moral sentiment, is, alas! likely to have few parallels in the poetry of the present day. Again, turn to the 'Moods of my own Mind.' There is scarcely a poem here of above thirty lines, and very trifling these poems will appear to many; but, omitting to speak of them individually, do they not, taken collectively, fix the attention upon a subject eminently poetical, viz., the interest which objects in Nature derive from the predominance of certain affections, more or less permanent, more or less capable of salutary renewal in the mind of the being contemplating these objects? This is poetic, and essentially poetic. And why? Because it is creative. But I am wasting words, for it is nothing more than you know; and if said to those for whom it is intended, it would not be understood. I see by your last letter, that Mrs. Fermor has entered into the spirit of these 'Moods of my own Mind.' Your transcript from her letter gave me the greatest pleasure; but I must say that even she has something yet to receive from me. I say this with confidence, from her thinking that I have fallen below myself in the sonnet, beginning, With ships the sea was sprinkled far and nigh. As to the other which she objects to, I will only observe, that there is a misprint in the last line but two, And _though_ this wilderness, for And _through_ this wilderness, that makes it unintelligible. This latter sonnet, for many reasons (though I do not abandon it), I will not now speak of; but upon the other, I could say something important in conversation, and will attempt now to illustrate it by a comment, which, I feel, will be inadequate to convey my meaning. There is scarcely one of my poems which does not aim to direct the attention to some moral sentiment, or to some general principle, or law of thought, or of our intellectual constitution. For instance, in the present case, who is there that has not felt that the mind can have no rest among a multitude of objects, of which it either cannot make one whole, or from which it cannot single out one individual whereupon may be concentrated the attention, divided among or distracted by a mu
PREV.   NEXT  
|<   523   524   525   526   527   528   529   530   531   532   533   534   535   536   537   538   539   540   541   542   543   544   545   546   547  
548   549   550   551   552   553   554   555   556   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572   >>   >|  



Top keywords:

attention

 

objects

 

sentiment

 

present

 

sonnet

 

scarcely

 
poetic
 

collectively

 
subject
 

important


wilderness

 
letter
 
misprint
 
observe
 

fallen

 
confidence
 

thinking

 
receive
 

beginning

 

sprinkled


intellectual
 

constitution

 

instance

 

multitude

 

concentrated

 

divided

 

distracted

 

single

 
individual
 

thought


conversation

 

attempt

 

illustrate

 

abandon

 

reasons

 

unintelligible

 

comment

 

direct

 
general
 
principle

pleasure
 

inadequate

 
convey
 
meaning
 

thirty

 
parallels
 

poetry

 

trifling

 

eminently

 
poetical