Majesty of the Hand, which are so much celebrated in the Orators of
Greece and Rome. We can talk of Life and Death in cold Blood, and keep
our Temper in a Discourse which turns upon every thing that is dear to
us. Though our Zeal breaks out in the finest Tropes and Figures, it is
not able to stir a Limb about us. I have heard it observed more than
once by those who have seen Italy, that an untravelled Englishman cannot
relish all the Beauties of Italian Pictures, because the Postures which
are expressed in them are often such as are peculiar to that Country.
One who has not seen an Italian in the Pulpit, will not know what to
make of that noble Gesture in Raphael's Picture of St. Paul preaching at
Athens, where the Apostle is represented as lifting up both his Arms,
and pouring out the Thunder of his Rhetorick amidst an Audience of Pagan
Philosophers.

It is certain that proper Gestures and vehement Exertions of the Voice
cannot be too much studied by a publick Orator. They are a kind of
Comment to what he utters, and enforce every thing he says, with weak
Hearers, better than the strongest Argument he can make use of. They
keep the Audience awake, and fix their Attention to what is delivered to
them, at the same time that they shew the Speaker is in earnest, and
affected himself with what he so passionately recommends to others.
Violent Gesture and Vociferation naturally shake the Hearts of the
Ignorant, and fill them with a kind of Religious Horror. Nothing is more
frequent than to see Women weep and tremble at the Sight of a moving
Preacher, though he is placed quite out of their Hearing; as in England
we very frequently see People lulled asleep with solid and elaborate
Discourses of Piety, who would be warmed and transported out of
themselves by the Bellowings and Distortions of Enthusiasm.

If Nonsense, when accompanied with such an Emotion of Voice and Body,
has such an Influence on Men's Minds, what might we not expect from many
of those Admirable Discourses which are printed in our Tongue, were they
delivered with a becoming Fervour, and with the most agreeable Graces of
Voice and Gesture?

We are told that the great Latin Orator very much impaired his Health by
this laterum contentio, this Vehemence of Action, with which he used to
deliver himself. The Greek Orator was likewise so very Famous for this
Particular in Rhetorick, that one of his Antagonists, whom he had
banished from Athens, reading over the Or