ch are referred to in the
Iliad, are generally supposed by the learned to have been pictorial,
and, as it were, hieroglyphical figures; my own belief, and the
easiest interpretation of the passage, is, that they were alphabetical
characters--in a word, writing, not painting.

[179] Pausanias, lib. i., c. 27, speaks of a wooden statue in the
Temple of Pohas, in Athens, said to have been the gift of Cecrops;
and, with far more claim to belief, in the previous chapter he tells
us that the most holy of all the images was a statue of Minerva,
which, by the common consent of all the towns before incorporated in
one city, was dedicated in the citadel, or polis. Tradition,
therefore, carried the date of this statue beyond the time of Theseus.
Plutarch also informs us that Theseus himself, when he ordained divine
honours to be paid to Ariadne, ordered two little statues to be made
of her--one of silver and one of brass.

[180] All that Homer calls the work of Vulcan, such as the dogs in
the palace of Alcinous, etc., we may suppose to be the work of
foreigners. A poet could scarcely attribute to the gods a work that
his audience knew an artificer in their own city had made!

[181] See Odyssey, book vii.

[182] The effect of the arts, habits, and manners of a foreign
country is immeasurably more important upon us if we visit that
country, than if we merely receive visits from its natives. For
example, the number of French emigrants who crowded our shores at the
time of the French revolution very slightly influenced English
customs, etc. But the effect of the French upon us when, after the
peace, our own countrymen flocked to France, was immense.

[183] Herod., lib. ii., c. 178.

[184] Grecian architecture seems to have been more free from
obligation to any technical secrets of Egyptian art than Grecian
statuary or painting. For, in the first place, it is more than
doubtful whether the Doric order was not invented in European Greece
long prior to the reign of Psammetichus [The earliest known temple at
Corinth is supposed by Col. Leake to bear date B. C. 800, about one
hundred and thirty years before the reign of Psammetichus in Egypt.];
and, in the second place, it is evident that the first hints and
rudiments both of the Doric and the Ionic order were borrowed, not
from buildings of the massive and perennial materials of Egyptian
architecture, but from wooden edifices; growing into perfection as
stone and marble