were clad in their
academic robes, and the procession could not have been widely different
from that one at Oxford of a year before. But there was something rather
fearsome about it, too. A kind of scaffolding had been reared in the
center of the campus for the ceremonies; and when those grave men in
their robes of state stood grouped upon it the picture was strikingly
suggestive of one of George Cruikshank's drawings of an execution scene
at the Tower of London. Many of the robes were black--these would be the
priests--and the few scarlet ones would be the cardinals who might have
assembled for some royal martyrdom. There was a bright May sunlight over
it all, one of those still, cool brightnesses which served to heighten
the weird effect. I am sure that others felt it besides myself, for
everybody seemed wordless and awed, even at times when there was no
occasion for silence. There was something of another age about the whole
setting, to say the least.

We left the place in a motor-car, a crowd of boys following after. As
Clemens got in they gathered around the car and gave the college yell,
ending with "Twain! Twain! Twain!" and added three cheers for Tom
Sawyer, Huck Finn, and Pudd'nhead Wilson. They called for a speech, but
he only said a few words in apology for not granting their request. He
made a speech to them that night at the Waldorf--where he proposed for
the City College a chair of citizenship, an idea which met with hearty
applause.

In the same address he referred to the "God Trust" motto on the coins,
and spoke approvingly of the President's order for its removal.

We do not trust in God, in the important matters of life, and not
even a minister of the Gospel will take any coin for a cent more
than its accepted value because of that motto. If cholera should
ever reach these shores we should probably pray to be delivered from
the plague, but we would put our main trust in the Board of Health.

Next morning, commenting on the report of this speech, he said:

"If only the reporters would not try to improve on what I say. They seem
to miss the fact that the very art of saying a thing effectively is in
its delicacy, and as they can't reproduce the manner and intonation in
type they make it emphatic and clumsy in trying to convey it to the
reader."

I pleaded that the reporters were often young men, eager, and unmellowed
in their sense of literary art.

"Yes," he agreed, "they are