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; and, regarding the compiler's confession of his indebtedness to others, but as a mark of "his exemplary diffidence of his own merits," adds, (in very bad English,) "Perhaps there never was an author whose success and fame were more _unexpected by himself than Lindley Murray_."--_The Friend_, Vol. iii, p. 33. 17. In a New-York edition of Murray's Grammar, printed in 1812, there was inserted a "Caution to the Public," by Collins & Co., his American correspondents and publishers, in which are set forth the unparalleled success and merit of the work, "as it came _in purity_ from the pen of the author;" with an earnest remonstrance against the several _revised editions_ which had appeared at Boston, Philadelphia, and other places, and against the unwarrantable liberties taken by American teachers, in altering the work, under pretence of improving it. In this article it is stated, "that _the whole_ of these mutilated editions _have been seen_ and examined by Lindley Murray himself, and that they, have met with _his decided disapprobation_. Every rational mind," continue these gentlemen, "will agree with him, that, 'the _rights of living authors_, and the _interests of science and literature_, demand the abolition of this _ungenerous practice_.'" (See this also in _Murray's Key_, 12mo, N. Y., 1811, p. iii.) Here, then, we have the feeling and opinion of Murray himself, upon this tender point of right. Here we see the tables turned, and other men judging it "scarcely necessary to apologize for the use which _they have made_ of their predecessors' labours." 18. It is really remarkable to find an author and his admirers so much at variance, as are Murray and his commenders, in relation to his grammatical authorship; and yet, under what circumstances could men have stronger desires to avoid apparent contradiction? They, on the one side, claim for him the highest degree of merit as a grammarian; and continue to applaud his works as if nothing more could be desired in the study of English grammar--a branch of learning which some of them are willing emphatically to call "_his_ science." He, on the contrary, to avert the charge of plagiarism, disclaims almost every thing in which any degree of literary merit consists; supposes it impossible to write an English grammar the greater part of which is not a "compilation;" acknowledges that originality belongs to but a small part of his own; trusts that such a general acknowledgement wi
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