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concurring with that of better judges than myself, is that we have here to deal with one of the many baseless stories told about him. Omitting the difficulties presented by his advanced age, it is wholly contrary to all we know about the Marchioness, and not a little damaging to her reputation for austerity, to suppose that this admirable matron, who, after the death of her husband, gave herself up to God, and abjured the commerce of the world, should, later in life, have carried on an intrigue, as the saying is, upon the sly, particularly when a third person is imposed on our credulity, acting the part of go-between and cloak in the transaction, as certain biographers of the great artist, and certain commentators of his poetry, are pleased to assert, with how much common-sense and what seriousness I will not ask." VIII The history of Luigi del Riccio's affection for a lad of Florence called Cecchino dei Bracci, since this is interwoven with Michelangelo's own biography and the criticism of his poems, may be adduced in support of the argument I am developing. Cecchino was a youth of singular promise and personal charm. His relative, the Florentine merchant, Luigi del Riccio, one of Buonarroti's most intimate friends and advisers, became devotedly attached to the boy. Michelangelo, after his return to Rome in 1534, shared this friend Luigi's admiration for Cecchino; and the close intimacy into which the two elder men were drawn, at a somewhat later period of Buonarroti's life, seems to have been cemented by their common interest in poetry and their common feeling for a charming personality. We have a letter of uncertain date, in which Michelangelo tells Del Riccio that he has sent him a madrigal, begging him, if he thinks fit, to commit the verses "to the fire--that is, to what consumes me." Then he asks him to resolve a certain problem which has occurred to his mind during the night, "for while I was saluting _our idol_ in a dream, it seemed to me that he laughed, and in the same instant threatened me; and not knowing which of these two moods I have to abide by, I beg you to find out from him; and on Sunday, when we meet again, you will inform me." Cecchino, who is probably alluded to in this letter, died at Rome on the 8th of January 1542, and was buried in the Church of Araceli. Luigi felt the blow acutely. Upon the 12th of January he wrote to his friend Donate Giannotti, then at Vicenza, in the following words
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