tin appear by
permission of Thomas Y. Crowell & Co.)]

[Footnote 7: Translator: E.A. Bowring.]

[Footnote 8: Adapted from E. A. Bowring.]

[Footnote 9: Translator: E. A. Bowring.]

[Footnote 10: Translator: E.A. Bowring.]

[Footnote 11: Translator: E. A. Bowring.]

[Footnote 12: Translator: E. A. Bowring.]

[Footnote 13: Translator: E. A. Bowring.]

[Footnote 14: Translator: E.A. Bowring.]

[Footnote 15: Translator: E. A. Bowring.]

[Footnote 16: Translator: E.A. Bowring.]

[Footnote 17: W.E. Aytoun and Theodore Martin.]

[Footnote 18: Translator: A.I. du P. Coleman.]

[Footnote 19: Translators: W.E. Aytoun and Theodore Martin.]

[Footnote 20: Translators: W. E. Aytoun and Theodore Martin.]

[Footnote 21: The title of a lyric piece composed by Schiller in honor
of the marriage of the hereditary prince of Weimar to the Princess
Maria of Russia, and performed in 1804.]

[Footnote 22: Translator: E. A. Bowring.]

[Footnote 23: Translation: E. A. Bowring.]

[Footnote 24: Translator: E. A. Bowring.]

[Footnote 25: Translator: A. I. du P. Coleman.]

[Footnote 26: Translator: A. I. du P. Coleman.]

[Footnote 27: Translator: E. A. Bowring.]

[Footnote 28: Translator: A. I. du P. Coleman.]

[Footnote 29: Translator: E.A. Bowring.]

[Footnote 30: Translator: A. L. du P. Coleman.]

[Footnote 31: Harvard Classics (Copyright P. F. Collier & Son).]

[Footnote 32: Harvard Classics (Copyright P. F. Collier & Son).]

[Footnote 33: Permission The Macmillan Co., New York, and G. Bell &
Sons, Ltd., London.]

[Footnote 34: Permission The Macmillan Co., New York, and G. Bell and
Sons, Ltd., London.]

[Footnote 35: Not and Tod, the German equivalents for Need and Death,
form a rhyme. As this cannot be rendered in English, I have introduced
a slight alteration into my translation.]

[Footnote 36: The play of words contained in the original cannot be
reproduced in translation, the German for Moat being Graben, and for
grave Grab.]

End of the Project Gutenberg EBook of The German Classics of The Nineteenth
and Twentieth Centuries, Volume I., by Editor-in-Chief: Kuno Francke

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