mes they heard were probably
from the cathedral tower.
41. _Dome-spire._ Over the polygonal monument founded by Charlemagne in
Aix-la-Chapelle is a dome 104 feet high and 48 feet in diameter. The
reference is probably to this dome.
THE FLOWER'S NAME
This poem and "Sibrandus Schafnaburgensis," a companion poem, appeared
in _Hood's Magazine_, July, 1844, under the title of "Garden Fancies."
"The Flower's Name" is a description of a garden by a lover whose
conception of its beauty is heightened and made vital by the memories it
enshrines. Of this poem Miss Barrett wrote to Browning, "Then the
'Garden Fancies'--some of the stanzas about the name of the flower, with
such exquisite music in them, and grace of every kind--and with that
beautiful and musical use of the word 'meandering,' which I never
remember having seen used in relation to sound before. It does to mate
with your '_simmering_ quiet' in _Sordello_, which brings the summer air
into the room as sure as you read it." (_Letters of R. B. and E. B. B._,
I, 134.)
10. _Box._ An evergreen shrub, dwarf varieties of which are used for low
hedges or the borders of flower-beds.
MEETING AT NIGHT AND PARTING AT MORNING
These poems were published originally simply as "Night" and "Morning."
The second of these love lyrics is somewhat difficult to interpret. If
the man is speaking, the "him" in l. 3 must refer to the sun. In any
case, after the isolation with the woman he loved as described in the
first poem, there comes with the morning a sense of the world of action
to which the man must return. The two poems are fully discussed in
_Poet-Lore_, Volume VII, April, May, June-July. The poems are noteworthy
for the fusion of human emotion and natural scenery and for the
startlingly specific phrasing of the first quatrain.
EVELYN HOPE
In this lyric are embodied Browning's faith in personal immortality, his
belief in the permanence of true love and in the value of love though
unrequited in this world.
34. _What meant._ From this point on through line 52 the lover repeats
what he shall say to Evelyn Hope when in the life to come he claims
her.
LOVE AMONG THE RUINS
A man is on his way across the fields to a turret where he is to meet
the girl he loves. As he walks through the solitary pastures he mentally
recreates the powerful life and varied interests of the city which,
tradition has it, once occupied this site, and he seems to be absorbed
in a mel
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