pictured
as assisting in the martyrdom of St. Laurence that the faces of these
slaves have been scratched from the wall. The monks think the picture a
huge success because it has thus roused religious zeal.
339. _Chianti wine._ A famous wine named from Chianti, a mountain group
near Siena, Italy.
346. _Sant Ambrogio's._ The picture described here is the "Coronation of
the Virgin" now in the _Accademia delle Belle Arti_ of Florence. _Sant'
Ambrogio_ is a Florentine church named after St. Ambrose, a Bishop of
Milan.
354. _St. John._ The Baptist. Note the reference to camel's hair raiment
in l. 375. _The Battistero_, the original cathedral of Florence, was
dedicated to John the Baptist. Some say the reliefs on one of its famous
bronze doors represent scenes from his life. To this church all children
born in Florence are brought to be baptized.
357. _Job._ See _Job_ i, 1.
360. _Up shall come._ Artists not infrequently painted their own
portraits in their pictures. In the "Coronation of the Virgin" Fra
Lippo's round tonsured head is seen in the lower right hand corner.
377. _Iste perfecit opus._ "This one did the work."
381. _Hot cockles._ An old English game in which a blind-folded player
tries to guess the names of those who touch or strike him.
ANDREA DEL SARTO
Andrea del Sarto's father was a tailor (_Sarto_) and so the son was
nicknamed "The Tailor's Andrew." He was born in 1486. His first
paintings were seven frescoes in the Church of the Annunziata in
Florence. They were "marvelous productions for a youth who was little
over twenty, and remain Andrea's most charming and attractive works."
(Julia Cartwright, _The Painters of Florence_.) Algernon Charles
Swinburne in _Essays and Studies_ ("Notes and Designs on the Old Masters
at Florence") says of Andrea's early paintings in comparison with his
later work: "These are the first fruits of his flowering manhood, when
the bright and buoyant genius in him had free play and large delight in
its handiwork; when the fresh interest of invention was still his, and
the dramatic sense, the pleasure in the play of life, the power of
motion and variety; before the old strength of sight and of flight had
passed from weary wing and clouding eye, the old pride and energy of
enjoyment had gone out of hand and heart.
"How the change fell upon him, and how it wrought, anyone may see who
compares his later with his earlier work.... The time came when another
than Sa
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