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and in his heart he resolved, as he had done before, to search for him all over the mountain, not leaving a corner or cave unexamined until he had found him. But chance arranged matters better than he expected or hoped, for at that very moment, in a gorge on the mountain that opened where they stood, the youth he wished to find made his appearance, coming along talking to himself in a way that would have been unintelligible near at hand, much more at a distance. His garb was what has been described, save that as he drew near, Don Quixote perceived that a tattered doublet which he wore was amber-tanned, from which he concluded that one who wore such garments could not be of very low rank. Approaching them, the youth greeted them in a harsh and hoarse voice but with great courtesy. Don Quixote returned his salutation with equal politeness, and dismounting from Rocinante advanced with well-bred bearing and grace to embrace him, and held him for some time close in his arms as if he had known him for a long time. The other, whom we may call the Ragged One of the Sorry Countenance, as Don Quixote was of the Rueful, after submitting to the embrace pushed him back a little and, placing his hands on Don Quixote's shoulders, stood gazing at him as if seeking to see whether he knew him, not less amazed, perhaps, at the sight of the face, figure, and armour of Don Quixote than Don Quixote was at the sight of him. To be brief, the first to speak after embracing was the Ragged One, and he said what will be told farther on. End of the Project Gutenberg EBook of The History of Don Quixote, Vol. I., Part 8., by Miguel de Cervantes *** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 8 *** ***** This file should be named 5910.txt or 5910.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/9/1/5910/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and tradema
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