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ed him, or perhaps equalled him at his best, in London or even in Annandale. What ought to have struck all readers of these volumes was the courage, the patience, the dignity, the generosity, and the genius of this Scottish peasant. What chiefly struck too many of them was that he did not get on with his wife. Froude's defence is first Carlyle's precept, and secondly his own conviction that the truth would be advantageous rather than injurious to Carlyle. Carlyle's way of writing about other people, for instance Charles Lamb, Saint Charles, as Thackeray called him, is sometimes unpardonable; and if Froude had suppressed those passages he would have done well. His own personal conduct is a lesson to us all, and that lesson is in Froude's pages for every one to read. "What a noisy inanity is this world," wrote Carlyle in his diary at the opening of the year 1835. Without the few great men who, like Carlyle, can lift themselves and others above it, it would be still noisier, still more inane. Next year the gossips had a still richer feast. In 1883 Froude, faithful to his trust, brought out three volumes Letters and Memorials of Jane Welsh Carlyle. The true and permanent interest of this book is that it introduced the British and American public to some of the most brilliantly witty and amusing epistles that the language contains. Indeed, there are very few letter-writers in any language who can be compared with Mrs. Carlyle. Inferior to her husband in humourous description, as in depth of thought, she surpassed him in liveliness of wit, in pungency of satire, and in terseness of expression. Her narrative is inimitable, and sometimes, as in the account of her solitary visit to her old home at Haddington twenty-three years after her marriage, her dramatic power is overwhelming. Carlyle himself had been familiar to the public for half a century through his books. Until Mrs. Carlyle's letters appeared the world knew nothing of her at all, except through her husband's sketch. Considering that good letter-writers are almost as rare as good poets, and that Jane Carlyle is one of the very best, the general reader might have been simply grateful, as perhaps he was. But for purposes of scandal the value of the book was the light it threw upon the matrimonial squabbles, actual or imaginary, of two remarkable persons. Mrs. Carlyle had long been dead, and her relations with her husband were of no importance to any one. But the tri
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