FREE BOOKS

Author's List




PREV.   NEXT  
|<   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232  
233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   >>   >|  
honour both to him and to themselves. This, indeed, is a commendation which it requires no genius to bestow, but which can never become vulgar or contemptible, if bestowed with judgment; because no single age produces many men of merit superiour to panegyrick. None but the first names can stand unassisted against the attacks of time; and if men raised to reputation by accident or caprice, have nothing but their names engraved on their tombs, there is danger lest, in a few years, the inscription require an interpreter. Thus have their expectations been disappointed who honoured Picus of Mirandola with this pompous epitaph: Hic situs est PICUS MIRANDOLA, caetera norunt Et Tagus et Ganges, forsan et Antipodes. His name, then celebrated in the remotest corners of the earth, is now almost forgotten; and his works, then studied, admired, and applauded, are now mouldering in obscurity. Next in dignity to the bare name is a short character simple and unadorned, without exaggeration, superlatives, or rhetorick. Such were the inscriptions in use among the Romans, in which the victories gained by their emperours were commemorated by a single epithet; as Caesar Germanicus, Caesar Dacicus, Germanicus, Illyricus. Such would be this epitaph, ISAACUS NEWTONUS, naturae legibus investigatis, hic quiescit. But to far the greatest part of mankind a longer encomium is necessary for the publication of their virtues, and the preservation of their memories; and, in the composition of these it is, that art is principally required, and precepts, therefore, may be useful. In writing epitaphs, one circumstance is to be considered, which affects no other composition; the place in which they are now commonly found restrains them to a particular air of solemnity, and debars them from the admission of all lighter or gayer ornaments. In this, it is that, the style of an epitaph necessarily differs from that of an elegy. The customs of burying our dead, either in or near our churches, perhaps, originally founded on a rational design of fitting the mind for religious exercises, by laying before it the most affecting proofs of the uncertainty of life, makes it proper to exclude from our epitaphs all such allusions as are contrary to the doctrines, for the propagation of which the churches are erected, and to the end for which those who peruse the monuments must be supposed to come thither. Nothing is, therefore, more ridiculous than to
PREV.   NEXT  
|<   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232  
233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   >>   >|  



Top keywords:

epitaph

 
epitaphs
 

composition

 
Germanicus
 
Caesar
 

churches

 

single

 

writing

 
restrains
 
affects

considered
 

circumstance

 

commonly

 

memories

 

greatest

 

mankind

 

quiescit

 

NEWTONUS

 
naturae
 
legibus

investigatis

 

longer

 

encomium

 

principally

 

required

 

precepts

 
publication
 
virtues
 

preservation

 
exclude

allusions

 
contrary
 

doctrines

 
proper
 
affecting
 

proofs

 
uncertainty
 

propagation

 

erected

 
Nothing

thither

 

ridiculous

 

supposed

 

peruse

 

monuments

 

laying

 
differs
 

necessarily

 

ISAACUS

 

customs