e personality of Cervantes had by that time
disappeared. Any floating traditions that may once have existed,
transmitted from men who had known him, had long since died out, and of
other record there was none; for the sixteenth and seventeenth centuries
were incurious as to "the men of the time," a reproach against which the
nineteenth has, at any rate, secured itself, if it has produced no
Shakespeare or Cervantes. All that Mayans y Siscar, to whom the task was
entrusted, or any of those who followed him, Rios, Pellicer, or
Navarrete, could do was to eke out the few allusions Cervantes makes to
himself in his various prefaces with such pieces of documentary evidence
bearing upon his life as they could find.

This, however, has been done by the last-named biographer to such good
purpose that he has superseded all predecessors. Thoroughness is the
chief characteristic of Navarrete's work. Besides sifting, testing, and
methodising with rare patience and judgment what had been previously
brought to light, he left, as the saying is, no stone unturned under
which anything to illustrate his subject might possibly be found.
Navarrete has done all that industry and acumen could do, and it is no
fault of his if he has not given us what we want. What Hallam says of
Shakespeare may be applied to the almost parallel case of Cervantes: "It
is not the register of his baptism, or the draft of his will, or the
orthography of his name that we seek; no letter of his writing, no record
of his conversation, no character of him drawn ... by a contemporary has
been produced."

It is only natural, therefore, that the biographers of Cervantes, forced
to make brick without straw, should have recourse largely to conjecture,
and that conjecture should in some instances come by degrees to take the
place of established fact. All that I propose to do here is to separate
what is matter of fact from what is matter of conjecture, and leave it to
the reader's judgment to decide whether the data justify the inference or
not.

The men whose names by common consent stand in the front rank of Spanish
literature, Cervantes, Lope de Vega, Quevedo, Calderon, Garcilaso de la
Vega, the Mendozas, Gongora, were all men of ancient families, and,
curiously, all, except the last, of families that traced their origin to
the same mountain district in the North of Spain. The family of Cervantes
is commonly said to have been of Galician origin, and unquestionably it
w