d among them one of sword-dancers
composed of some four-and-twenty lads of gallant and high-spirited mien,
clad in the finest and whitest of linen, and with handkerchiefs
embroidered in various colours with fine silk; and one of those on the
mares asked an active youth who led them if any of the dancers had been
wounded. "As yet, thank God, no one has been wounded," said he, "we are
all safe and sound;" and he at once began to execute complicated figures
with the rest of his comrades, with so many turns and so great dexterity,
that although Don Quixote was well used to see dances of the same kind,
he thought he had never seen any so good as this. He also admired another
that came in composed of fair young maidens, none of whom seemed to be
under fourteen or over eighteen years of age, all clad in green stuff,
with their locks partly braided, partly flowing loose, but all of such
bright gold as to vie with the sunbeams, and over them they wore garlands
of jessamine, roses, amaranth, and honeysuckle. At their head were a
venerable old man and an ancient dame, more brisk and active, however,
than might have been expected from their years. The notes of a Zamora
bagpipe accompanied them, and with modesty in their countenances and in
their eyes, and lightness in their feet, they looked the best dancers in
the world.

Following these there came an artistic dance of the sort they call
"speaking dances." It was composed of eight nymphs in two files, with the
god Cupid leading one and Interest the other, the former furnished with
wings, bow, quiver and arrows, the latter in a rich dress of gold and
silk of divers colours. The nymphs that followed Love bore their names
written on white parchment in large letters on their backs. "Poetry" was
the name of the first, "Wit" of the second, "Birth" of the third, and
"Valour" of the fourth. Those that followed Interest were distinguished
in the same way; the badge of the first announced "Liberality," that of
the second "Largess," the third "Treasure," and the fourth "Peaceful
Possession." In front of them all came a wooden castle drawn by four wild
men, all clad in ivy and hemp stained green, and looking so natural that
they nearly terrified Sancho. On the front of the castle and on each of
the four sides of its frame it bore the inscription "Castle of Caution."
Four skillful tabor and flute players accompanied them, and the dance
having been opened, Cupid, after executing two figures, rai