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prints in book-form; a third, topography; a fourth, the occult sciences, and so forth. I offer no objection to these partialities; but I entertain an individual preference for volumes chosen from nearly all branches of the _belles lettres_, each for its own sake. I do not vote of necessity in all cases for a book because it is rare, or because it is old, or because it is the best edition; but I do not think that I should like any scholar my friend to have the opportunity of pointing out to me (as he would, wouldn't he?) that I lacked any real essential, as the child tried to satisfy Longfellow that his shelves were not complete without a copy of the undying romance of Jack the Giant-killer. It cannot fail to strike any one opening such books as Bacon's _Sylva Sylvarum_ or Markham's _Way to Get Wealth_, for how comparatively, indeed absolutely, small a consideration it is possible to obtain two works so brimful of interest and curiosity on all subjects connected with gardening, agriculture, and rural pursuits or amusements. But both these works long remained--the Bacon yet does so--outside the collector's pale and cognisance, and the real cause was that they were alike common; they had been the favourites of successive generations; edition upon edition had been demanded; and the survival of copies was too great to suit the book-hunter, who aims at shyer quarry. Take again, as a sample, a noble old work like the English Bayle, five substantial folios; it was a question of more than a five-pound note to become the master of a good, well-bound copy; one in morocco or russia by Roger Payne twice that amount could once scarcely have brought down; and now it is _articulo mortis_. The connoisseur finds it too bulky, and he hears that its matter has been superseded. At any rate, it is no longer the _mode_, and the mill begins to acquire familiarity with it. Let the taste return for such big game, and copies will be as Caxtons are. Most part of the editions will ere then have been served up again in the form of cheap book-drapery. The _ne plus ultra_ of interest and respect seems to us to centre in such collections of books as those of Samuel Pepys, Narcissus Luttrell, the Rev. Henry White of Lichfield, and Charles Lamb, where the volumes reflect the personal tastes of their owners, and are, or have been, objects to them of personal regard. What is to be thought or said of the man who simply buys works which happen to be in
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