FREE BOOKS

Author's List




PREV.   NEXT  
|<   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129  
130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   >>   >|  
st-class examples of the best modern authors. There must be no qualification, nothing secondary, nothing dubious; and with these provisos, we do not venture to predict that the competition might not become keener than ever. The same experience will result here and there, whenever a book forming a desideratum in more than one cabinet occurs for sale, and is perhaps the first copy which has been offered. At Sotheby's in June 1896, Shelley's _Oedipus Tyrannus_, 1820, it is said, was carried under these circumstances to L130. It was, we believe, one of two copies, picked up by a well-known amateur for fourpence each. On another account--its perfectly immaculate state in boards--a large-paper copy of Byron's poems, 1807, was thought by Mr. Edward Huth not too dear at L105. It had been acquired by a London bookseller in exchange for one in morocco from a correspondent in Yorkshire, the latter receiving the bound book (which cost the vendor L27) and L18 difference, so that there was a profit on the transaction of L60. Seriously speaking, the purchase was extravagantly dear, for the book on large paper is at all events not scarcer than on small. One of the most signal incidents, however, in modern auctioneering annals was the sale of MSS. copies of the _Endymion_ and _Lamia_ of Keats in the poet's handwriting for L1000, and the subsequent offer to the purchasers at that figure of a large advance for their bargain. These two items are printed, and the written copies were those employed by the printer, as upon the first leaf of each MS. were the directions as to size. They were in the familiar round schoolboy hand, and presented occasional corrections. We heard a suggestion that there might have once, at all events, been a duplicate copy in existence. If the lots were worth the money, what would the manuscript of _Venus and Adonis_ or _Hamlet_ fetch? The mischief which proceeds from the advertisements through the press of sensational sale prices is not one for which either the buyers or the sellers are responsible. It is due to the notorious circumstance that very few persons are able to discriminate accurately between an important item in an auction or elsewhere, and another submitted to their approval, ostensibly and professedly identical, but actually very different. A certain familiar type of bookseller will tell you that a copy of such or such a work fetched L50 under the hammer last week, but that he can let you have his--
PREV.   NEXT  
|<   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129  
130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   >>   >|  



Top keywords:

copies

 
events
 

bookseller

 

familiar

 

modern

 

occasional

 
existence
 
presented
 

corrections

 

suggestion


duplicate

 

bargain

 

printed

 

advance

 

figure

 
subsequent
 

purchasers

 
written
 

directions

 

handwriting


employed

 

printer

 

schoolboy

 
sensational
 

identical

 

professedly

 

ostensibly

 

approval

 
important
 

auction


submitted

 

hammer

 
fetched
 

accurately

 

proceeds

 

mischief

 
advertisements
 
Hamlet
 

manuscript

 

Adonis


prices
 

circumstance

 

persons

 

discriminate

 

notorious

 

buyers

 

sellers

 
responsible
 

offered

 
Sotheby