he Mass. In the evening, prior to the marriage,
it was compulsory on the couple to confess and obtain absolution from
the priest. The nuptials almost invariably took place after the first
Mass, between five and six in the morning, and those couples who were
spiritually prepared first presented themselves for Communion. Then an
acolyte placed over the shoulders of the bridal pair a thick mantle
or pall. The priest recited a short formula of about five minutes'
duration, put his interrogations, received the muttered responses, and
all was over. To the espoused, as they left the church, was tendered
a bowl of coin; the bridegroom passed a handful of the contents to
the bride, who accepted it and returned it to the bowl. This act was
symbolical of his giving to her his worldly goods. Then they left the
church with their friends, preserving that solemn, stoical countenance
common to all Malay natives. There was no visible sign of emotion
as they all walked off, with the most matter-of-fact indifference,
to the paternal abode. This was the custom under the Spaniards,
and it still largely obtains; the Revolution decreed civil marriage,
which the Americans have declared lawful, but not compulsory.
After the marriage ceremony the feast called the _Catapusan_ [80]
begins. To this the vicar and headmen of the villages, the immediate
friends and relatives of the allied families, and any Europeans who
may happen to be resident or sojourning, are invited. The table is
spread, _a la Russe_, with all the good things procurable served at
the same time--sweetmeats predominating. Imported beer, Dutch gin,
chocolate, etc., are also in abundance. After the early repast, both
men and women are constantly being offered betel-nut to masticate,
and cigars or cigarettes, according to choice.
Meanwhile, the company is entertained by native dancers. Two at
a time--a young man and woman--stand _vis-a-vis_ and alternately
sing a love ditty, the burthen of the theme usually opening by
the regret of the young man that his amorous overtures have been
disregarded. Explanations follow, in the poetic dialogue, as the
parties dance around each other, keeping a slow step to the plaintive
strains of music. This is called the _Balitao_. It is most popular
in Visayas.
Another dance is performed by a young woman only. If well executed
it is extremely graceful. The girl begins singing a few words in an
ordinary tone, when her voice gradually drops to the _
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