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very one of its parts," is really a sufficient statement of the principle: the whole being the Middle Term, and the Minor being a part of it, the Major is predicable of the Minor affirmatively or negatively if it is predicable similarly of the Middle. This Axiom, as the name imports, is indemonstrable. As Aristotle pointed out in the case of the Axiom of Contradiction, it can be vindicated, if challenged, only by reducing the challenger to a practical absurdity. You can no more deny it than you can deny that if a leaf is in a book and the book is in your pocket, the leaf is in your pocket. If you say that you have a sovereign in your purse and your purse is in your pocket, and yet that the sovereign is not in your pocket: will you give me what is in your pocket for the value of the purse? II.--THE MINOR FIGURES OF THE SYLLOGISM, AND THEIR REDUCTION TO THE FIRST. The word Figure ([Greek: schema]) applies to the form or figure of the premisses, that is, the order of the terms in the statement of the premisses, when the Major Premiss is put first, and the Minor second. In the First Figure the order is M P S M But there are three other possible orders or figures, namely:-- Fig. ii. Fig. iii. Fig. iv. PM MP PM SM MS MS. It results from the doctrines of Conversion that valid arguments may be stated in these forms, inasmuch as a proposition in one order of terms may be equivalent to a proposition in another. Thus No M is in P is convertible with No P is in M: consequently the argument No P is in M All S is in M, in the Second Figure is as much valid as when it is stated in the First-- No M is in P All S is in M. Similarly, since All M is in S is convertible into Some S is in M, the following arguments are equally valid:-- Fig. iii. Fig. i. All M is in P All M is in P = All M is in S Some S is in M. Using both the above Converses in place of their Convertends, we have-- Fig. iv. Fig. i. No P is in M No M is in P = All M is in S Some S is in M. It can be demonstrated (we shall see presently how) that altogether there are possible four valid forms or moods of the Second Figure, six of the Third, and five of the Fourth. An ingenious Mnemonic of these various moods and their reduction to the First
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