es is fairly rapid; but there
is not apparently any continuous line of progression in any given
direction, and the birds seem to have a curious way of approaching
and receding from each other as they do so. The birds always face
in the direction in which they are at the time moving, and do not
dance sideways. Moreover, the dance is an alternation of wild dancing
and intermittent pauses; and during the dancing both the males and
females are silent, but during the pauses they are uttering their
songs or cries.
The dancing movements of the goura pigeons are a gentle slow shuffle,
and are accompanied by a slow bowing or nodding of the head. The
progressive movement is exceedingly slow, and is always a continuous
one in the same direction, and it is usually a sideways movement. The
dancing and accompanying cooing of the pigeons go on continuously
and simultaneously, and the rhythm of the latter is curiously like
the more usual rhythm of the Mekeo drums.
I have unfortunately never had opportunities of observing the dancing
of either of these birds, and so cannot personally vouch for the
correctness of the above descriptions of them. But Father Clauser
has often watched them, and he is undoubtedly a careful observer,
upon whose testimony we may rely; and I may add that my efforts since
my return to England to obtain evidence, confirmatory or otherwise,
of these descriptions have produced confirmation of some of the facts
stated, and have not produced any contradictions.
Then again attention must be drawn to the fact that the magnificent
feather decoration of the bird of paradise is mainly upon or springing
from its back or body, whilst the goura pigeon's sole projecting
decoration, and perhaps its chief beauty, is the crest upon its head,
to which the Mekeo single upright head feather may be likened.
My efforts to obtain light from native sources upon this question of
imitation in Mafulu were fruitless, as the natives questioned knew
nothing of it; and on my return from Mafulu to the coast I did not
again pass through the Mekeo villages. But on reaching the coast I
made further enquiries upon the subject from the Fathers there of the
Mission, and obtained three interesting pieces of information. First,
I was told that the Mekeo clan Inawae of the Mekeo village Oriropetana,
whose clan badge is the goura pigeon, and who are not allowed to
kill and eat it, and whose bird totem it appears to be, say that they
are descende
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