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es is fairly rapid; but there is not apparently any continuous line of progression in any given direction, and the birds seem to have a curious way of approaching and receding from each other as they do so. The birds always face in the direction in which they are at the time moving, and do not dance sideways. Moreover, the dance is an alternation of wild dancing and intermittent pauses; and during the dancing both the males and females are silent, but during the pauses they are uttering their songs or cries. The dancing movements of the goura pigeons are a gentle slow shuffle, and are accompanied by a slow bowing or nodding of the head. The progressive movement is exceedingly slow, and is always a continuous one in the same direction, and it is usually a sideways movement. The dancing and accompanying cooing of the pigeons go on continuously and simultaneously, and the rhythm of the latter is curiously like the more usual rhythm of the Mekeo drums. I have unfortunately never had opportunities of observing the dancing of either of these birds, and so cannot personally vouch for the correctness of the above descriptions of them. But Father Clauser has often watched them, and he is undoubtedly a careful observer, upon whose testimony we may rely; and I may add that my efforts since my return to England to obtain evidence, confirmatory or otherwise, of these descriptions have produced confirmation of some of the facts stated, and have not produced any contradictions. Then again attention must be drawn to the fact that the magnificent feather decoration of the bird of paradise is mainly upon or springing from its back or body, whilst the goura pigeon's sole projecting decoration, and perhaps its chief beauty, is the crest upon its head, to which the Mekeo single upright head feather may be likened. My efforts to obtain light from native sources upon this question of imitation in Mafulu were fruitless, as the natives questioned knew nothing of it; and on my return from Mafulu to the coast I did not again pass through the Mekeo villages. But on reaching the coast I made further enquiries upon the subject from the Fathers there of the Mission, and obtained three interesting pieces of information. First, I was told that the Mekeo clan Inawae of the Mekeo village Oriropetana, whose clan badge is the goura pigeon, and who are not allowed to kill and eat it, and whose bird totem it appears to be, say that they are descende
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