FREE BOOKS

Author's List




PREV.   NEXT  
|<   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152  
153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   >>   >|  
e. The result of these two in combination is the Art of Speech, generally, and Improvisation or Song as the Fine Art of this Lingual Domain. But passing from the Abstract to the Concrete Domain, Unwrought Natural Sound, bearing its proportion of meaning, furnishes the great basic department of language, which, for the reason that it is basic, is usually regarded as the whole of language, namely, ORAL SPEECH, or SPEECH LANGUAGE, as distinguished from MUSIC AND SONG. Music, on the other hand, is _wrought_ or _measured_ Sound, bearing also its proportion of meaning; a superior language, corresponding with _Science_, from its relation to _measure_, to _numbers_, to _fixed laws_; as Oral Speech corresponds, in its freedom and unconstraint, with Nature. Music and Oral Language united or married to each other constitute SONG, which is then the analogue or type, or Nature's hieroglyph, in this Domain, of Art. We say instinctively the _Art_ of Speech; the _Science_ of Music, and the Art of Singing. In the first instance, Art is used for Natural Performance or Nature; but the whole of speech falling within the domain of art or performance, its lowest or natural division still has some claim to the distinction of an art. The first step of this series, Nature, and the third step, Art, repeat each other by overstepping the second, which is Science, as _Do_ is accordant with _Mi_, but disharmonic with _Re_. It is, therefore, from the instinctual perception of this harmony, that Oral Speech, the basis of Language, the true Nature-department of Language, is still denominated the _Art_ of Speech. Adhering, however, to the Concrete Domain, and seeking our analogies there, oral speech, a Concrete Thing, does not directly correspond with Nature, an Abstract Conception, but with The World, a concrete thing; nor does Music, a Concrete Thing, correspond with Science, an Abstract Conception, but with Man (the Mind-being, Knowledge-being, the Science-being), a concrete thing; nor, again, does Song, a Concrete Thing, correspond with Art, an Abstract Conception, but with Human Product or Doing, a concrete thing. Song is again but the lowest and simple expression for that combination of Music and Oral Expression, aided by Action, to which the Italians, full of instinct for Art, have given the name OPERA, THE WORK _par excellence_, the culmination of Art in Movement and Sound. This word, from the Latin, _opus, operari_, work, to work, c
PREV.   NEXT  
|<   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152  
153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   >>   >|  



Top keywords:

Nature

 
Science
 

Concrete

 

Speech

 

Abstract

 

Domain

 
Conception
 
concrete
 

language

 
Language

correspond

 

combination

 

speech

 

SPEECH

 

bearing

 

Natural

 

proportion

 

meaning

 
department
 

lowest


seeking

 

analogies

 

disharmonic

 

accordant

 
overstepping
 

instinctual

 
denominated
 

Adhering

 

harmony

 
perception

Knowledge

 

instinct

 

Movement

 

culmination

 

excellence

 

Italians

 
Action
 

operari

 

directly

 

Product


Expression

 

repeat

 

expression

 

simple

 
instinctively
 
distinguished
 

LANGUAGE

 

wrought

 
relation
 

measure