FREE BOOKS

Author's List




PREV.   NEXT  
|<   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80  
81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   >>   >|  
laughing if you only ask the servants for bread, or say "No" to the offer of a cutlet. GREAT WRITERS OFTEN POOR TALKERS. Among Those Who Were Singularly Deficient in the Art of Conversation Were Corneille, Addison, Milton, Dante, and Goldsmith. "He wrote like an angel and talked like poor poll," was the manner in which Oliver Goldsmith was described by one of his contemporaries, and all acounts agree that the author of "The Deserted Village" made a sorry figure as a conversationalist. But Goldsmith was far from being the only writer of undoubted genius whose conversation was devoid of charm. Indeed, there is a wealth of evidence to prove that the art of writing well and talking well are not akin. Descartes, the famous mathematician and philosopher; La Fontaine, celebrated for his witty fables; Buffon, the great naturalist, were all singularly deficient in the powers of conversation. Marmontel, the novelist, was so dull in society that his friend said of him, after an interview, that he must go and read his tales to recompense himself for the weariness of hearing him. As to Corneille, the grandest dramatist in France, he was completely lost in society--so absent and embarrassed that he wrote of himself a witty couplet importing that he was never intelligible but through the mouth of another. Wit on paper seems to be something widely different from that play of words in conversation, which, while it sparkles, dies; for Charles II, the wittiest monarch that sat on the English throne, was so charmed with the humor of "Hudibras" that he caused himself to be introduced in the character of a private gentleman to Butler, its author. The witty king found the author a very dull companion, and was of opinion, with many others, that so stupid a fellow could never have written so clever a book. Addison, whose classic elegance has long been considered a model of style, was shy and absent in society, preserving, even before a single stranger, stiff and dignified silence. In conversation Dante was taciturn and satirical. Rousseau was remarkably trite in conversation--not a word of fancy or eloquence warmed him. Milton was unsocial, and even irritable, when much pressed by talk of others. FAMOUS LOVE POEMS. An Elizabethan Dramatist and One of the Cavaliers of Charles I G
PREV.   NEXT  
|<   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80  
81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   >>   >|  



Top keywords:
conversation
 

society

 
Goldsmith
 

author

 
Charles
 
Corneille
 
absent
 

Addison

 

Milton

 

private


gentleman

 

character

 

Hudibras

 

introduced

 

Butler

 

caused

 

opinion

 

widely

 

companion

 

intelligible


charmed

 

sparkles

 

English

 

throne

 
wittiest
 
monarch
 

elegance

 

unsocial

 

warmed

 

irritable


eloquence

 
Rousseau
 
remarkably
 

pressed

 

Cavaliers

 

Dramatist

 

Elizabethan

 

FAMOUS

 

satirical

 
taciturn

importing
 
classic
 

clever

 

fellow

 
written
 

considered

 

dignified

 

silence

 

stranger

 
single