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st stories. Most papers print them nowadays--they can easily be distinguished by their lack of news value, and of a lead--and the finest example is just as likely to crop out in a little weekly as in a metropolitan daily. =4. The Animal Story.=--The examples printed earlier in this chapter are specimens of the truest type of human interest story because they deal with human beings. They derive their joy or sorrow from things that happen to men and women. But all the sketches that are classed as human interest stories are not so carefully confined to the limits of the title. From the original human interest story the type has grown until it includes many other things--almost any piece of copy that has no intrinsic news value. Every possible subject that may suit itself to a pathetic or humorous treatment and thus be interesting, although it has no news value, is roughly classed as a human interest story. One of these outgrowths of the true human interest sketch is the animal story. In the large cities, the "zoo" and the parks have become a fruitful source of "news." Anything interesting that may happen to the monkeys, or the elephant, the sparrows or the squirrels in the parks, horses or dogs in the street, is used as the excuse for a human interest story. Sometimes the purpose is pathos and sometimes it is humor, but, whatever it may be, if it is clever and interesting it gets its place in the paper, a place entirely out of proportion to its true news value. The results sometimes verge very close upon nature faking, but after all they are only the result of the "up-lift" idea of looking at all life in a more sympathetic way. Several of the beginnings quoted earlier in this chapter belong to animal stories and the following is a complete one: | Smithy Kain was only a mongrel, | |horsemen will say, but in his equine | |heart there coursed the blood of | |thoroughbreds. | | | | Smithy Kain was killed yesterday | |afternoon, shot through the head, while | |thousands of Wisconsin fair patrons looked | |on in shuddering sympathy. | | | | It was a tragedy of the track. | |
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