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upon him by the inmates of that home which he had left nearly two years before filled with the brightest anticipations. And, indeed, it was little short of triumphant, this greeting and homage which poured in upon him from father, sister, and friends. In _their_ eyes, at least, his successes were unshadowed by his failures; to them he was still the Mozart, the genius amongst musicians, who was yet to leave his mark upon the roll of fame. But, grateful as he felt for these proofs of sincere affection and esteem, his aversion to Salzburg and his duties at the Court remained in full force, and it was with a new-kindled joy that he set forth once more for Munich, in November, 1780, to complete and produce the opera which he had been commissioned to write for the carnival of the following year. To the realisation of these the first-fruits of his previous sojourn at Munich Mozart was to owe the establishment of his fame as a dramatic composer of the first rank. 'Idomeneo,' as the new opera was called, fulfilled the high expectations which his Munich friends had formed from the composer's powers. Its reception at the rehearsals rendered success a certainty, and the Elector, who was present, joined with the performers in expressing his unqualified approval. At home the progress of the work was watched with the deepest interest. 'The universal subject of conversation here,' writes Leopold to his son, 'is your opera.' The first performance took place on January 29, and as the Archbishop was then staying in Vienna, Leopold and Marianne journeyed to Munich to witness Wolfgang's triumph. It was a proud and happy moment for all three, and the enthusiastic applause which shook the theatre at the close of the performance must have seemed to the old father, who stood gazing with swimming eyes at the sea of waving hands around him, to set the seal of greatness upon his son's career. Mozart was soon, however, to taste the bitterness of his bondage by receiving orders from the Archbishop to attend him in Vienna. From the moment of his arrival the arrogant ecclesiastic gave him to understand that, except when his services were required for his master's glorification, he would be expected to take his place amongst the servants of the household, to dine at their table, and to receive the like treatment and consideration. The indignities to which he was subjected beneath the Archbishop's roof, however, did not for a time prevent Mozart from
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