nt. My feeling
towards you was not malice. No--I should no longer be worthy of
your friendship; it was passionate love for you and myself; but
I doubted you dreadfully, for people came between us who were
unworthy of us both. My portrait has long been intended for
you. I need not tell you that I never meant it for anyone else.
Who could I give it to with my warmest love so well as to you,
true, good, noble Stephen? Forgive me for distressing you. I
have suffered myself as much as you have. It was only when I
had you no longer with me that I first really felt how dear you
are, and always will be, to my heart. Come to my arms once
more, as you used to do.'
Carl, the brother in whose unworthy behalf Beethoven had taken up the
cudgels against his best friend, was dead when this touching appeal
was written, but he had bequeathed to Beethoven a solemn charge which
was destined to bring to him who undertook it in the goodness of his
heart a burden of sorrow and bitterness. Carl had died penniless, and
his boy, who bore the father's name, thenceforth became to his Uncle
Ludwig as his own son. How good, how generous and self-sacrificing
Beethoven was to his nephew is testified by all who have written of
his life. He supplied him freely with money when money was by no means
too plentiful; he strove to satisfy his every need, either fancied or
real; and he lavished upon him a great love and solicitude to the last
day of his life. But Carl showed himself to be utterly unworthy of
this affection. He treated his uncle shamefully, and instead of
endeavouring to repay his kindness by steady perseverance, he was a
disgrace to the family whose name he bore. There is, unfortunately,
only too much reason for believing that Carl's want of affection,
coupled with his dissolute habits, embittered his uncle's existence,
estranged him from his friends, and hurried on his death.
Of Beethoven's tenderness of heart numerous instances are recorded. He
devoted much of his time to arranging concerts for the benefit of the
poor and suffering, and in the midst of his popularity and the heavy
demands upon his time and strength he always found a means of helping
others. When he first came to Vienna to reside, he made the
acquaintance of a musician named Foerster, from whom he received
instruction in the art of quartet writing. Beethoven never forgot this
kindly help, and long afterwards, when Foe
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