FREE BOOKS

Author's List




PREV.   NEXT  
|<   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223  
224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   >>   >|  
asked who he would like to see first. 'Schubert may come in first,' was the reply. Before they left, Beethoven, regarding them with a smile, said: 'You, Anselm, have my mind, but Franz has my soul.' When for the second time Schubert found his way to the bedside of the master death was very near, and though as they stood around the bed he made signs to them with his hand to show that he recognised their presence, he could not speak, and, overcome with emotion, Schubert quitted the room. A little more than three weeks after the second visit Schubert was walking as one of the torch-bearers beside the coffin of his loved master, as the latter was borne to his last resting-place in the Waehringer cemetery. On the way back Schubert and his friends passed through the Himmelpfortgrund, close to the old home, and, entering a tavern, called for wine. Schubert, having filled his glass, raised it aloft: 'I drink,' said he, 'to the memory of Beethoven.' Then once more filling the glass, he drained it to the first of the three friends then present, who was destined to follow the master to his grave. Little did Schubert dream that he was emptying his glass to his own memory! Nor in the eyes of his friends would there seem to have been anything in his appearance at that moment which could be taken as foreshadowing the early closing of that eager, active life. Gazing at him then, as he sat drinking his grim toast, the picture presented to his companions was that of a short, stout, thick-set man of about thirty, with a head of thick, black hair, disposed in crisp curls, bushy eyebrows, and a pair of bright black eyes which beamed through his spectacles. The face was round with full cheeks, the complexion pasty, the nose short and insignificant, the lips full and protruding, the jaw broad and strong; the hands, like the rest of the body, were plump, and the fingers thick and short. There was nothing striking about his general expression; but when the conversation turned upon music, and especially if Beethoven were the topic of discussion, his eyes would brighten at once, and the whole face light up with animation. As he sat in the dingy parlour of the little tavern, beaming upon his friends, whilst the minds of all three were rapt by the solemn event which they had just witnessed, the proximity of death within that circle was not contemplated. Yet the story of his life shows us that the period which had elapsed between the date of
PREV.   NEXT  
|<   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223  
224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   >>   >|  



Top keywords:

Schubert

 

friends

 
master
 
Beethoven
 

tavern

 
memory
 

drinking

 
spectacles
 
beamed
 

cheeks


insignificant
 
Gazing
 

complexion

 

picture

 
disposed
 

thirty

 
active
 

companions

 

protruding

 

eyebrows


presented

 

bright

 

turned

 

solemn

 

parlour

 

beaming

 

whilst

 

witnessed

 
proximity
 

period


elapsed

 
circle
 

contemplated

 

animation

 

fingers

 

striking

 

general

 

strong

 

expression

 

brighten


discussion

 

conversation

 

present

 

presence

 

overcome

 
emotion
 
recognised
 

quitted

 

bearers

 

walking