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n the first. 'He never composed at the clavier,' says his wife, in speaking of his manner of work, 'but wrote music like letters, and never tried a movement until it was finished.' The limits of our story forbid even a mention of the compositions which made up the life-work of Mozart; the few to which we have found space to refer are those connected with the chief episodes of his career. Much less can we convey an idea of his powers of improvisation. Hours snatched from sleep would be spent at the piano, and into the silence of the night drifted many a divine melody which no ear but his own was destined to hear. One who lived to be eighty, speaking of those wonderful improvisations, says: 'I still, in my old age, seem to hear the echo of those heavenly harmonies, and I go to my grave with the full conviction that there can never be another Mozart.' It was at such times that the inspiration of true genius shone forth in his expression. Ordinarily there was nothing distinguished about his appearance; the head, with its profusion of fine hair, was somewhat too large for the body, which was short and slim; the face was pale, and the nose a rather too prominent feature; the eyes were large, well-shaped, and shaded by long lashes and bushy eyebrows, but the expression was absent and restless. When seated at the piano, however, the whole countenance changed; the eye became calm and fixed, and every movement of his muscles spoke the emotion which his playing expressed. Even the success of 'Don Giovanni'--at the performance of which the Prague audience greeted Mozart's appearance in the orchestra with thunders of applause and a triple flourish of trumpets--failed to remedy the desperate condition into which his affairs had fallen; and when his pupil and patron, Prince Karl Lichnowsky, proposed that he should accompany him to Berlin, Mozart gladly accepted the invitation. The visit, however, was productive of much honour, but very little money, and at its conclusion he wrote to his wife: 'On my return you must be glad to have _me_, and not think about money.' The King of Prussia received Mozart with every mark of kindness and respect, and being himself very musical, and desirous of having the best musicians about him, he sought Mozart's advice regarding the proficiency of his band. 'It contains some great players,' replied Mozart; 'but if the gentlemen would _play together_ they would make a better effect.' The King was ev
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