that he called him 'kleinen Hexenmeister' (little
magician), and forthwith set to work to test his powers to the
uttermost. Not only was the boy made to play difficult pieces at
sight, but he instantly complied with the Emperor's joking suggestion
that he should play with one finger. The keyboard was then covered
with a cloth, so as to conceal the notes, but Wolfgang played just as
finely as before, receiving for this crowning feat the loud applause
of the company. The children were treated with great kindness by both
the Emperor and Empress; and Wolfgang showed his affection for the
august lady by climbing into her lap and giving her a hug, just as he
might have done to his mother. The performance at Court was repeated
on several occasions, each time with greater applause; and amongst the
audience was the beautiful Marie Antoinette, who, later on, became
Queen of the French. The boy evinced a strong fancy for the Princess,
and one day, when he happened to slip on the polished floor and was
helped to his feet by the Princess's hand, he turned to her with a
grave air and said, 'You are very good, and I will marry you,' 'Why,
pray?' inquired Marie, with a smile. 'Out of gratitude, of course,'
responded Wolfgang, still more gravely.
He was not in the least shy at being called upon to perform before
personages of the highest rank, his behaviour to all being that of a
simple, unspoilt child. But when it came to the point of playing, the
serious concentration of which we have before spoken would take
possession of him, and everything else had to take a secondary place.
Not even the Emperor himself could then claim precedence of the
composer, should the latter happen to be present. 'Where is Herr
Wagenseil? Is he here?' inquired Wolfgang on one occasion, when about
to play a concerto composed by the Court musician. 'Pray let him come;
he knows something about it.' The father understood this request to be
in keeping with the boy's desire to play before a capable judge--a
condition upon which he invariably insisted whenever practicable. At
the bidding of the youthful performer Herr Wagenseil approached. 'Ah,
Herr Wagenseil!' said Mozart, turning to him, 'I am about to play one
of your concertos, and I want you to turn over for me.' The Emperor
happened to be standing next to the boy, but he smilingly made way for
the composer at once.
Needless to say, after the favours shown them at Court, the children
at once became the ra
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