f
expansion, in the due course of things, follow them. Such an epoch of
expansion seems to be opening in this country. In the first place all
danger of a hostile forcible pressure of foreign ideas upon our practice
has long disappeared; like the traveller in the fable, therefore, we
begin to wear our cloak a little more loosely. Then, with a long peace,
the ideas of Europe steal gradually and amicably in, and mingle, though
in infinitesimally small quantities at a time, with our own notions.
Then, too, in spite of all that is said about the absorbing and
brutalizing influence of our passionate material progress, it seems to
me indisputable that this progress is likely, though not certain, to
lead in the end to an apparition of intellectual life; and that man,
after he has made himself perfectly comfortable and has now to determine
what to do with himself next, may begin to remember that he has a mind,
and that the mind may be made the source of great pleasure. I grant it
is mainly the privilege of faith, at present, to discern this end to our
railways, our business, and our fortune-making; but we shall see if,
here as elsewhere, faith is not in the end the true prophet. Our ease,
our travelling, and our unbounded liberty to hold just as hard and
securely as we please to the practice to which our notions have given
birth, all tend to beget an inclination to deal a little more freely
with these notions themselves, to canvass them a little, to penetrate a
little into their real nature. Flutterings of curiosity, in the foreign
sense of the word, appear amongst us, and it is in these that criticism
must look to find its account. Criticism first; a time of true creative
activity, perhaps,--which, as I have said, must inevitably be preceded
amongst us by a time of criticism,--hereafter, when criticism has done
its work.

It is of the last importance that English criticism should clearly
discern what rule for its course, in order to avail itself of the field
now opening to it, and to produce fruit for the future, it ought to
take. The rule may be summed up in one word,--_disinterestedness_. And
how is criticism to show disinterestedness? By keeping aloof from what
is called "the practical view of things"; by resolutely following the
law of its own nature, which is to be a free play of the mind on all
subjects which it touches. By steadily refusing to lend itself to any of
those ulterior, political, practical considerations abou