em. Still, the
freedom was achieved; the preoccupation, an undoubtedly baneful and
retarding one if it had continued, was got rid of. And as with religion
amongst us at that period, so it was also with letters. A fit prose was
a necessity; but it was impossible that a fit prose should establish
itself amongst us without some touch of frost to the imaginative life of
the soul. The needful qualities for a fit prose are regularity,
uniformity, precision, balance. The men of letters, whose destiny it may
be to bring their nation to the attainment of a fit prose, must of
necessity, whether they work in prose or in verse, give a predominating,
an almost exclusive attention to the qualities of regularity,
uniformity, precision, balance. But an almost exclusive attention to
these qualities involves some repression and silencing of poetry.
We are to regard Dryden as the puissant and glorious founder, Pope as
the splendid high priest, of our age of prose and reason, of our
excellent and indispensable eighteenth century. For the purposes of
their mission and destiny their poetry, like their prose, is admirable.
Do you ask me whether Dryden's verse, take it almost where you will, is
not good?
"A milk-white Hind, immortal and unchanged,
Fed on the lawns and in the forest ranged."[104]
I answer: Admirable for the purposes of the inaugurator of an age of
prose and reason. Do you ask me whether Pope's verse, take it almost
where you will, is not good?
"To Hounslow Heath I point, and Banstead Down;
Thence comes your mutton, and these chicks my own."[105]
I answer: Admirable for the purposes of the high priest of an age of
prose and reason. But do you ask me whether such verse proceeds from men
with an adequate poetic criticism of life, from men whose criticism of
life has a high seriousness, or even, without that high seriousness, has
poetic largeness, freedom, insight, benignity? Do you ask me whether the
application of ideas to life in the verse of these men, often a powerful
application, no doubt, is a powerful _poetic_ application? Do you ask me
whether the poetry of these men has either the matter or the inseparable
manner of such an adequate poetic criticism; whether it has the accent
of
"Absent thee from felicity awhile ... "
or of
"And what is else not to be overcome ... "
or of
"O martyr sonded in virginitee!"
I answer: It has not and cannot have them; it is the poetry of the
builders of
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