A. Poe: _The Raven_.

6. Where with black cliffs the torrents toil,
He watch'd the wheeling eddies boil,
Till, from their foam, his dazzled eyes
Beheld the River Demon rise;
The mountain mist took form and limb
Of noontide hag or goblin grim.

--Scott: _Lady of the Lake_.

7. On nearer approach he was still more surprised at the singularity of
the stranger's appearance. He was a short, square-built old fellow, with
thick, bushy hair and a grizzled beard. His dress was of the antique Dutch
fashion--a cloth jerkin strapped around the waist--several pairs of
breeches, the outer ones of ample volume, decorated with rows of buttons
down the sides and bunches at the knees. He bore on his shoulder a stout
keg that seemed full of liquor, and made signs for Rip to approach and
assist him with his load.

--Washington Irving: _Rip Van Winkle_.

+27. Complete and Incomplete Images.+--Some sentences have for their
purpose the presentation of an image, but in order to form that image
correctly and completely, we must be familiar with the words used. If an
unfamiliar word is introduced, the mind may omit entirely the image
represented, or may substitute some other for it. Notice the image
presented by this sentence from Henry James: "Her dress was dark and rich;
she had pearls around her neck and an old rococo fan in her hand." If the
meaning of _rococo_ is unknown to you, the image which you form will not
be exactly the one that Mr. James had in mind. The pearls and the dress
may stand out clearly in your image, but the fan will be lacking or
indistinct. The whole may be compared to a photograph of which a part is
blurred. If your attention is directed to the fan, you may recall the word
_rococo_, but not the image represented by it. If your attention is not
called to the fan, the mind is satisfied with the indistinct image, or
substitutes for it an image of some other fan. Such an image is therefore
either incomplete or inaccurate.

An oath in court provides that we shall "tell the truth, the whole truth,
and nothing but the truth," but, in forming images, it is not always
possible to hold our minds to such exactness. We are prone to picture more
or less than the words convey. In fact, in some forms of prose, and often
in poetry, the author purposely takes advantage of this habit of the mind
and wishes us to enlarge with creations of our own imagination the bare
image that his words convey. Such w