, drove his cheek in lines.

--Tennyson.

13. The rush of affairs drifts words from their original meanings, as
ships drag their anchors in a gale, but terms sheltered from common use
hold to their moorings forever.

--Mill.

+Theme XIV.+--_Write a story suggested by the picture on page 59 or by one
of the following subjects:_--

1. A modern fable.
2. The willow whistle.
3. How I baked a cake.
4. The delayed picnic.
5. The missing slipper.
6. A misdirected letter.
7. A ride on a raft.
8. The rescue of Ezekiel.
9. A railway experience.
10. A soldier's soldier.

(Do you think the reader will form the images you wish him to form?
Consider what you have written with reference to climax. (See Section 7.)
Have you needed to use figures? If so, have you used them in accordance
with the suggestions on page 55? If you have used the word _only_, is it
placed so as to give the correct meaning?)

+31. Determination of Meaning Requires More than Image Making.+--The
emphasis laid upon image making should not lead to the belief that this is
all that is necessary in order to determine what is meant by the language
we hear or read. Image making is important, but much of our language is
concerned with presenting ideas of which no mental pictures can be formed.

[Illustration]

This very paragraph will serve as an illustration of such language. Our
understanding of language of this kind depends upon our knowledge of the
meanings of words, upon our understanding of the relations between word
groups, or parts of sentences, and especially upon our appreciation of the
relations in thought that sentences bear to one another. Each of these
will be discussed in the following pages. Later it will be necessary to
consider the relations in thought existing among paragraphs.

+32. Word Relations.+--In order to get the thought of a sentence, we must
understand the relations that exist between the words and word groups
(phrases and clauses) that compose it. If the thought is simple, and
expressed in straightforward terms, we grasp it readily and without any
conscious effort to determine these relations. If the thought is complex,
the relations become more complicated, and before we are sure that we know
what the writer intends to say it may be necessary to note with care which
is the main clause and which are the subordinate clauses. In either case
our acquiring the thought depends upon our understanding t