he _Edinburgh Review_ from 1829--when
Jeffrey, after a reign of seven-and-twenty years, resigned it into
his hands--until his death in 1847. A portion of the correspondence
addressed to Mr. Napier during this period is full of personal
interest both to the man of letters and to that more singular being,
the Editor, the impresario of men of letters, the _entrepreneur_ of
the spiritual power.
To manage an opera-house is usually supposed to tax human powers more
urgently than any position save that of a general in the very heat
and stress of battle. The orchestra, the chorus, the subscribers,
the first tenor, a pair of rival prima donnas, the newspapers, the
box-agents in Bond Street, the army of hangers-on in the flies--all
combine to demand such gifts of tact, resolution, patience, foresight,
tenacity, flexibility, as are only expected from the great ruler
or the great soldier. The editor of a periodical of public
consideration--and the _Edinburgh Review_ in the hands of Mr. Napier
was the avowed organ of the ruling Whig powers--is sorely tested
in the same way. The rival house may bribe his stars. His popular
epigrammatist is sometimes as full of humours as a spoiled soprano.
The favourite pyrotechnist is systematically late and procrastinatory,
or is piqued because his punctuation or his paragraphs have been
meddled with. The contributor whose article would be in excellent
time if it did not appear before the close of the century, or never
appeared at all, pesters you with warnings that a month's delay is a
deadly blow to progress, and stays the great procession of the ages.
The contributor who could profitably fill a sheet, insists on sending
a treatise. Sir George Cornewall Lewis, who had charge of the
_Edinburgh_ for a short space, truly described prolixity as the _bete
noire_ of an editor. "Every contributor," he said, "has some special
reason for wishing to write at length on his own subject."
_Ah, que de choses dans un menuet!_ cried Marcel, the great
dancing-master, and ah, what things in the type and [Greek: idea] of
an article, cries an editor with the enthusiasm of his calling; such
proportion, measure, comprehension, variety of topics, pithiness of
treatment, all within a space appointed with Procrustean rigour. This
is what the soul of the volunteer contributor is dull to. Of the minor
vexations who can tell? There is one single tribulation dire enough
to poison life--even if there were no other--and th
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