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Ned put the key in the lock and flinging the door open revealed Celia Rose, blinking and confused in the sudden sunshine. She drew back as she saw her father and began to cry with considerable fervour. "How did you get in that shed, miss?" demanded her parent, stamping. [Illustration: "'How did you get in that shed?' demanded her parent."] Miss Rose trembled. "I--I went there," she sobbed. "I didn't want to go away." "Well, you'd better stay there," shouted the over-wrought Mr. Rose. "I've done with you. A girl that 'ud turn against her own father I--I--" He drove his right fist into his left palm and stamped out into the road. Lawyer Quince and Mr. Hogg, after a moment's hesitation, followed. "The laugh's agin you, farmer," said the latter gentleman, taking his arm. Mr. Rose shook him off. "Better make the best of it," continued the peace-maker. "She's a girl to be proud of," said Lawyer Quince, keeping pace with the farmer on the other side. "She's got a head that's worth yours and mine put together, with Hogg's thrown in as a little makeweight." "And here's the White Swan," said Mr. Hogg, who had a hazy idea of a compliment, "and all of us as dry as a bone. Why not all go in and have a glass to shut folks' mouths?" "And cry quits," said the shoemaker. "And let bygones be bygones," said Mr. Hogg, taking the farmer's arm again. Mr. Rose stopped and shook his head obstinately, and then, under the skilful pilotage of Mr. Hogg, was steered in the direction of the hospitable doors of the White Swan. He made a last bid for liberty on the step and then disappeared inside. Lawyer Quince brought up the rear. End of the Project Gutenberg EBook of Lawyer Quince, by W.W. Jacobs *** END OF THIS PROJECT GUTENBERG EBOOK LAWYER QUINCE *** ***** This file should be named 12205.txt or 12205.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/2/0/12205/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing
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