ry for Conrad's father; Beaton had a peculiar
tenderness for his own father, and he imagined how his father would feel
if it were he who had been killed in Conrad's place, as it might very
well have been; he sympathized with himself in view of the possibility;
and for once they were mistaken who thought him indifferent and merely
brutal in his failure to appear at Lindau's obsequies.
He would really have gone if he had known how to reconcile his presence
in that house with the terms of his effective banishment from it; and he
was rather forgivingly finding himself wronged in the situation, when
Dryfoos knocked at the studio door the morning after Lindau's funeral.
Beaton roared out, "Come in!" as he always did to a knock if he had not a
model; if he had a model he set the door slightly ajar, and with his
palette on his thumb frowned at his visitor and told him he could not
come in. Dryfoos fumbled about for the knob in the dim passageway
outside, and Beaton, who had experience of people's difficulties with it,
suddenly jerked the door open. The two men stood confronted, and at first
sight of each other their quiescent dislike revived. Each would have been
willing to turn away from the other, but that was not possible. Beaton
snorted some sort of inarticulate salutation, which Dryfoos did not try
to return; he asked if he could see him alone for a minute or two, and
Beaton bade him come in, and swept some paint-blotched rags from the
chair which he told him to take. He noticed, as the old man sank
tremulously into it, that his movement was like that of his own father,
and also that he looked very much like Christine. Dryfoos folded his
hands tremulously on the top of his horn-handled stick, and he was rather
finely haggard, with the dark hollows round his black eyes and the fall
of the muscles on either side of his chin. He had forgotten to take his
soft, wide-brimmed hat off; and Beaton felt a desire to sketch him just
as he sat.
Dryfoos suddenly pulled himself together from the dreary absence into
which he fell at first. "Young man," he began, "maybe I've come here on a
fool's errand," and Beaton rather fancied that beginning.
But it embarrassed him a little, and he said, with a shy glance aside, "I
don't know what you mean." "I reckon," Dryfoos answered, quietly, "you
got your notion, though. I set that woman on to speak to you the way she
done. But if there was anything wrong in the way she spoke, or if you
didn
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