rest. "I don't think I am good at it."

Dryfoos got to his feet. "I wish you'd paint a likeness of my son. You've
seen him plenty of times. We won't fight about the price, don't you be
afraid of that."

Beaton was astonished, and in a mistaken way he was disgusted. He saw
that Dryfoos was trying to undo Mrs. Mandel's work practically, and get
him to come again to his house; that he now conceived of the offence
given him as condoned, and wished to restore the former situation. He
knew that he was attempting this for Christine's sake, but he was not the
man to imagine that Dryfoos was trying not only to tolerate him, but to
like him; and, in fact, Dryfoos was not wholly conscious himself of this
end. What they both understood was that Dryfoos was endeavoring to get at
Beaton through Conrad's memory; but with one this was its dedication to a
purpose of self sacrifice, and with the other a vulgar and shameless use
of it.

"I couldn't do it," said Beaton. "I couldn't think of attempting it."

"Why not?" Dryfoos persisted. "We got some photographs of him; he didn't
like to sit very well; but his mother got him to; and you know how he
looked."

"I couldn't do it--I couldn't. I can't even consider it. I'm very sorry.
I would, if it were possible. But it isn't possible."

"I reckon if you see the photographs once"

"It isn't that, Mr. Dryfoos. But I'm not in the way of that kind of thing
any more."

"I'd give any price you've a mind to name--"

"Oh, it isn't the money!" cried Beaton, beginning to lose control of
himself.

The old man did not notice him. He sat with his head fallen forward, and
his chin resting on his folded hands. Thinking of the portrait, he saw
Conrad's face before him, reproachful, astonished, but all gentle as it
looked when Conrad caught his hand that day after he struck him; he heard
him say, "Father!" and the sweat gathered on his forehead. "Oh, my God!"
he groaned. "No; there ain't anything I can do now."

Beaton did not know whether Dryfoos was speaking to him or not. He
started toward him. "Are you ill?"

"No, there ain't anything the matter," said the old man. "But I guess
I'll lay down on your settee a minute." He tottered with Beaton's help to
the aesthetic couch covered with a tiger-skin, on which Beaton had once
thought of painting a Cleopatra; but he could never get the right model.
As the old man stretched himself out on it, pale and suffering, he did
not look much like a Cleopat