FREE BOOKS

Author's List




PREV.   NEXT  
|<   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214  
215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   >>   >|  
h monstrous regiment, and calls upon all the lieges with one consent to _"study to repress the inordinate pride and tyranny" of queens_. If this is not treasonable teaching, one would be glad to know what is; and yet, as if he feared he had not made the case plain enough against himself, he goes on to deduce the startling corollary that all oaths of allegiance must be incontinently broken. If it was sin thus to have sworn even in ignorance, it were obstinate sin to continue to respect them after fuller knowledge. Then comes the peroration, in which he cries aloud against the cruelties of that cursed Jezebel of England--that horrible monster Jezebel of England; and after having predicted sudden destruction to her rule and to the rule of all crowned women, and warned all men that if they presume to defend the same when any "noble heart" shall be raised up to vindicate the liberty of his country, they shall not fail to perish themselves in the ruin, he concludes with a last rhetorical flourish: "And therefore let all men be advertised, for THE TRUMPET HATH ONCE BLOWN." The capitals are his own. In writing, he probably felt the want of some such reverberation of the pulpit under strong hands as he was wont to emphasise his spoken utterances withal; there would seem to him a want of passion in the orderly lines of type; and I suppose we may take the capitals as a mere substitute for the great voice with which he would have given it forth, had we heard it from his own lips. Indeed, as it is, in this little strain of rhetoric about the trumpet, this current allusion to the fall of Jericho, that alone distinguishes his bitter and hasty production, he was probably right, according to all artistic canon, thus to support and accentuate in conclusion the sustained metaphor of a hostile proclamation. It is curious, by the way, to note how favourite an image the trumpet was with the Reformer. He returns to it again and again; it is the Alpha and Omega of his rhetoric; it is to him what a ship is to the stage sailor; and one would almost fancy he had begun the world as a trumpeter's apprentice. The partiality is surely characteristic. All his life long he was blowing summonses before various Jerichos, some of which fell duly, but not all. Wherever he appears in history his speech is loud, angry, and hostile; there is no peace in his life, and little tenderness; he is always sounding hopefully to the front for some rough enterprise. A
PREV.   NEXT  
|<   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214  
215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   >>   >|  



Top keywords:

Jezebel

 

rhetoric

 

England

 
trumpet
 
hostile
 

capitals

 
Jericho
 

artistic

 

support

 

accentuate


bitter
 

withal

 

production

 

distinguishes

 

passion

 
substitute
 

suppose

 

conclusion

 

orderly

 
current

strain

 
Indeed
 

allusion

 

Jerichos

 

appears

 

Wherever

 

characteristic

 
blowing
 

summonses

 

history


speech

 

enterprise

 

sounding

 

tenderness

 

surely

 

partiality

 

favourite

 

Reformer

 

proclamation

 

metaphor


curious

 

utterances

 

returns

 

trumpeter

 

apprentice

 

sailor

 
sustained
 

TRUMPET

 

broken

 

incontinently